Gender, Genre, and the Romantic Poets: An IntroductionManchester University Press, 1996 - 170 頁 This text presents an exploration of the relationship between gender issues and genre choice in the work of the canonical male poets of the Romantic period. This text examines the ways in which such poetic genres as the pastoral, the sonnet, the ode, the epic and the drama are deployed in the work of Coleridge, Wordsworth, Keats, Byron and Shelley. The author provides new insights into the ambiguous constructions of masculinity within their poetry, and draws upon recent reappraisals of traditional notions of Romanticism. Throughout The book offers sustained attention to specific textual examples, providing an introduction to this complex area of study. |
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第 1 到 3 筆結果,共 35 筆
第 34 頁
... identity of ' poet ' and ' woman ' , an identity which in the 1790s was inevitably fissured . Barbauld's own anxiety about this identity is revealed in her comment that she had ' stepped out of the bounds of female reserve in becoming ...
... identity of ' poet ' and ' woman ' , an identity which in the 1790s was inevitably fissured . Barbauld's own anxiety about this identity is revealed in her comment that she had ' stepped out of the bounds of female reserve in becoming ...
第 89 頁
... identity ' of his own ; the fact that the actor and the poet must both learn to be ' nothing ' in order to achieve greatness resembles the paradox of Keats's assertion of the necessary self - effacement and effective ' feminisation ' of ...
... identity ' of his own ; the fact that the actor and the poet must both learn to be ' nothing ' in order to achieve greatness resembles the paradox of Keats's assertion of the necessary self - effacement and effective ' feminisation ' of ...
第 125 頁
... identity , system , order ' and reveals to the reader of the drama the potential ' fragility of the law ' . Does this then render him an object of abjection , a being who pro- vokes in the reader a sense of the other which , whilst it ...
... identity , system , order ' and reveals to the reader of the drama the potential ' fragility of the law ' . Does this then render him an object of abjection , a being who pro- vokes in the reader a sense of the other which , whilst it ...
內容
Acknowledgements page | 1 |
Samuel Taylor Coleridge and Anna Laetitia Barbauld | 22 |
William Wordsworth | 38 |
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Abrams actor ambiguous appear Astarte attempts Auranthe Barbauld binary oppositions Bloom Byron chapter child Cixous closet drama Coleridge Coleridge's criticism cultural deconstructive Demogorgon Derrida described desire discourse discussion earlier effeminacy epic essay example female feminine Feminism Freud and Love gender and genre gender difference Harold Bloom Hazlitt Hélène Cixous identity implicitly Jerome McGann John Keats Kean's Keats's Kristeva language literary London Ludolph Lyrical Ballads male Manfred Manfred's masculine McGann Mellor Milton mind mystery narcissistic narrative nature notes notion object observes offered Otho paradox pastoral perceived performance play poem poet's poetry Prelude present primary narcissism Prometheus Unbound Rajan reader rejection relation relationship reveals role Romantic Ideology Romantic poets Romanticism Romanticism and Gender scene seen sense sexual Shelley Shelley's social sonnet Stuart Curran subject position sublime suggest tensions theatre theory Tintern Abbey tion Todorov traditional tragedy whilst William Hazlitt William Wordsworth Women Wordsworth writing