Gender, Genre, and the Romantic Poets: An IntroductionManchester University Press, 1996 - 170 頁 This text presents an exploration of the relationship between gender issues and genre choice in the work of the canonical male poets of the Romantic period. This text examines the ways in which such poetic genres as the pastoral, the sonnet, the ode, the epic and the drama are deployed in the work of Coleridge, Wordsworth, Keats, Byron and Shelley. The author provides new insights into the ambiguous constructions of masculinity within their poetry, and draws upon recent reappraisals of traditional notions of Romanticism. Throughout The book offers sustained attention to specific textual examples, providing an introduction to this complex area of study. |
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第 1 到 3 筆結果,共 41 筆
第 68 頁
... becomes a necessary ' other ' for both child and mother : She will love her child with respect to that Other , and it is through a dis- course aimed at that Third Party that the child will be set up as ' loved ' for the mother . ' Isn't ...
... becomes a necessary ' other ' for both child and mother : She will love her child with respect to that Other , and it is through a dis- course aimed at that Third Party that the child will be set up as ' loved ' for the mother . ' Isn't ...
第 87 頁
... becomes complex and ultimately confused and confus- ing . Anne Mellor concludes that ' The poem ends in an aporia , a void ... Keats has separated himself from virile masculine action and from feminine productions , leaving him ...
... becomes complex and ultimately confused and confus- ing . Anne Mellor concludes that ' The poem ends in an aporia , a void ... Keats has separated himself from virile masculine action and from feminine productions , leaving him ...
第 125 頁
... becomes heroic in his rejection of the moral codes that guide the rest of society . When , for example , in the first scene of Act II the Chamois Hunter suggests to Manfred that he should adopt the ways of Christian ' patience ' as an ...
... becomes heroic in his rejection of the moral codes that guide the rest of society . When , for example , in the first scene of Act II the Chamois Hunter suggests to Manfred that he should adopt the ways of Christian ' patience ' as an ...
內容
Acknowledgements page | 1 |
Samuel Taylor Coleridge and Anna Laetitia Barbauld | 22 |
William Wordsworth | 38 |
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常見字詞
Abrams actor ambiguous appear Astarte attempts Auranthe Barbauld binary oppositions Bloom Byron chapter child Cixous closet drama Coleridge Coleridge's criticism cultural deconstructive Demogorgon Derrida described desire discourse discussion earlier effeminacy epic essay example female feminine Feminism Freud and Love gender and genre gender difference Harold Bloom Hazlitt Hélène Cixous identity implicitly Jerome McGann John Keats Kean's Keats's Kristeva language literary London Ludolph Lyrical Ballads male Manfred Manfred's masculine McGann Mellor Milton mind mystery narcissistic narrative nature notes notion object observes offered Otho paradox pastoral perceived performance play poem poet's poetry Prelude present primary narcissism Prometheus Unbound Rajan reader rejection relation relationship reveals role Romantic Ideology Romantic poets Romanticism Romanticism and Gender scene seen sense sexual Shelley Shelley's social sonnet Stuart Curran subject position sublime suggest tensions theatre theory Tintern Abbey tion Todorov traditional tragedy whilst William Hazlitt William Wordsworth Women Wordsworth writing