The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 54 筆
第 3 頁
... writing of such conspicuous Romantic precursors of the genre as Blake , Wordsworth , Keats , Hazlitt , and Lamb , all of whom touch upon other arts at some point in their writing . Jean Hagstrum has traced from classical Greece to the ...
... writing of such conspicuous Romantic precursors of the genre as Blake , Wordsworth , Keats , Hazlitt , and Lamb , all of whom touch upon other arts at some point in their writing . Jean Hagstrum has traced from classical Greece to the ...
第 6 頁
... writing as it constitutes an experience for the reader . " The awareness of a public suggests that Victorian writers generally have deeper roots in the eighteenth century than is usually admitted ; and such intellectual debts are ...
... writing as it constitutes an experience for the reader . " The awareness of a public suggests that Victorian writers generally have deeper roots in the eighteenth century than is usually admitted ; and such intellectual debts are ...
第 11 頁
... writers introduce nonliterary arts into their work to avoid such false dichotomies , to permit the merger of relatively ... writing , of the relation of the artist's consciousness to the external , phenomenal world . Similarly , the ...
... writers introduce nonliterary arts into their work to avoid such false dichotomies , to permit the merger of relatively ... writing , of the relation of the artist's consciousness to the external , phenomenal world . Similarly , the ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
著作權所有 | |
4 個其他區段未顯示
其他版本 - 查看全部
常見字詞
achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing