The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 44 筆
第 42 頁
... truth " of nature , is the principal " use " of pictures for Ruskin . Thus , the first obligation of art is not to mislead the viewer . " The duty of the artist , " Ruskin explains , " is not only to address and awaken , but to guide ...
... truth " of nature , is the principal " use " of pictures for Ruskin . Thus , the first obligation of art is not to mislead the viewer . " The duty of the artist , " Ruskin explains , " is not only to address and awaken , but to guide ...
第 43 頁
... truth " through the medium of Turner's art is constructed with particular clarity in the first volume . In the section titled " Of Truth , " for example , the argument progresses quite directly from dry facts to moral discoveries , from ...
... truth " through the medium of Turner's art is constructed with particular clarity in the first volume . In the section titled " Of Truth , " for example , the argument progresses quite directly from dry facts to moral discoveries , from ...
第 53 頁
... Truth of Turner , " implies the equiva- lence of his landscape to the real one . And the position of this chapter at the conclusion of the first volume suggests that all Ruskin's lessons about mountains , rocks , and clouds culminate in ...
... Truth of Turner , " implies the equiva- lence of his landscape to the real one . And the position of this chapter at the conclusion of the first volume suggests that all Ruskin's lessons about mountains , rocks , and clouds culminate in ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing