The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 46 筆
第 84 頁
... Stories because there Ruskin is dramatizing the living quality of the Venetian past . Byzantine and Gothic ... stories " is to the bottom levels of Venetian buildings , the architectural " stories " that come into contact with the sea ...
... Stories because there Ruskin is dramatizing the living quality of the Venetian past . Byzantine and Gothic ... stories " is to the bottom levels of Venetian buildings , the architectural " stories " that come into contact with the sea ...
第 268 頁
... story points toward a solution in the future . And as the final story in Imaginary Portraits , it serves as a kind of moral companion - piece to the first one , " A Prince of Court Painters . " Together , they provide an ethical frame ...
... story points toward a solution in the future . And as the final story in Imaginary Portraits , it serves as a kind of moral companion - piece to the first one , " A Prince of Court Painters . " Together , they provide an ethical frame ...
第 278 頁
... story titled " The Child in the House , " which in 1878 was the first of Pater's fictional works to appear under the heading " imaginary portrait . " Even within this narrowest of all his fictional atmospheres , the description of a ...
... story titled " The Child in the House , " which in 1878 was the first of Pater's fictional works to appear under the heading " imaginary portrait . " Even within this narrowest of all his fictional atmospheres , the description of a ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
著作權所有 | |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing