The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 46 頁
... reality - inch by inch ” ( VI , 317– 318 ) . The necessity for such imaginative precision governs the shape of Modern Painters as a whole . Ruskin's digressiveness is stabilized by a simple structure of thought which remains fun ...
... reality - inch by inch ” ( VI , 317– 318 ) . The necessity for such imaginative precision governs the shape of Modern Painters as a whole . Ruskin's digressiveness is stabilized by a simple structure of thought which remains fun ...
第 50 頁
... reality would have produced " ; it puts " his heart into the same state in which it would have been , had he verily descended into the valley from the gorges of Ariolo ” ( VI , 35–36 ) . Ruskin employs Turner's drawing to give the ...
... reality would have produced " ; it puts " his heart into the same state in which it would have been , had he verily descended into the valley from the gorges of Ariolo ” ( VI , 35–36 ) . Ruskin employs Turner's drawing to give the ...
第 117 頁
... reality of their subjects . But in The Stones of Venice - as in all " true gro- tesque " the balance exists , if precariously . It is partly the reality of history which convinces us that Ruskin's energy has a genuine source outside ...
... reality of their subjects . But in The Stones of Venice - as in all " true gro- tesque " the balance exists , if precariously . It is partly the reality of history which convinces us that Ruskin's energy has a genuine source outside ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing