The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 31 筆
第 74 頁
... present a diverse and changing image of Venice by offering a series of perspectives for interpreting it . Thus , the ... presents are part of the mysterious totality of any full experience of the city . To put it another way , The Stones ...
... present a diverse and changing image of Venice by offering a series of perspectives for interpreting it . Thus , the ... presents are part of the mysterious totality of any full experience of the city . To put it another way , The Stones ...
第 88 頁
... present . The journey motif dramatizes the idea that our world , like that of Venice , is symbolic , one in which every object and experience is endowed with meaning , the same notion of reality as was implicit in Modern Painters . But ...
... present . The journey motif dramatizes the idea that our world , like that of Venice , is symbolic , one in which every object and experience is endowed with meaning , the same notion of reality as was implicit in Modern Painters . But ...
第 127 頁
... present , as did both Blake and Ruskin in their very different ways ; in fact , Rossetti occasionally seems to discuss one's version of the past to comment on the other's . In his essay on Blake , he associates the poet - painter's love ...
... present , as did both Blake and Ruskin in their very different ways ; in fact , Rossetti occasionally seems to discuss one's version of the past to comment on the other's . In his essay on Blake , he associates the poet - painter's love ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
著作權所有 | |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing