The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 77 筆
第 148 頁
... poetic forms and interests . The poem is not , of course , origi- nally about a painting ; indeed , the various oil paintings of the theme ( see illustration ) were based on the poem and produced later . But although Rossetti had not ...
... poetic forms and interests . The poem is not , of course , origi- nally about a painting ; indeed , the various oil paintings of the theme ( see illustration ) were based on the poem and produced later . But although Rossetti had not ...
第 193 頁
... poem he wishes to write , so that the title refers to the desired future poem , his " Heart's Hope " for a verbal achievement . The metaphors refer not only to love but to poetry , and the Red Sea image is explic- able only as an ...
... poem he wishes to write , so that the title refers to the desired future poem , his " Heart's Hope " for a verbal achievement . The metaphors refer not only to love but to poetry , and the Red Sea image is explic- able only as an ...
第 194 頁
... poem is that all these alternatives belong within one con- tinuum : the desired poem . Part of the sonnet's " lesson " is that the antitheses it points out , in both literal and metaphoric uses of language , coexist for the participant ...
... poem is that all these alternatives belong within one con- tinuum : the desired poem . Part of the sonnet's " lesson " is that the antitheses it points out , in both literal and metaphoric uses of language , coexist for the participant ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
著作權所有 | |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing