The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 28 筆
第 113 頁
... perfect sublime " ( XI , 171 ) . As in the analysis of pathetic fallacy , Ruskin posits a consum- mate form of what he considers a universal imaginative impulse . Not only can grotesque be traced into even the most refined forms of art ...
... perfect sublime " ( XI , 171 ) . As in the analysis of pathetic fallacy , Ruskin posits a consum- mate form of what he considers a universal imaginative impulse . Not only can grotesque be traced into even the most refined forms of art ...
第 275 頁
... perfect impassivity , or at least of a perfect repose . ( 81 ) Sebastian " reads " this scene as a barren landscape , imagining it without humanity , focusing on the icy hints of lifelessness . The rest of the story examines the limits ...
... perfect impassivity , or at least of a perfect repose . ( 81 ) Sebastian " reads " this scene as a barren landscape , imagining it without humanity , focusing on the icy hints of lifelessness . The rest of the story examines the limits ...
第 289 頁
... Perfect City is in fact the art of discipline " ( 275-276 ) . Yet per- fection is achieved because discipline becomes inward , instinc- tive , and natural . Spartan dance " was the perfect flower of their correction , " in which , as in ...
... Perfect City is in fact the art of discipline " ( 275-276 ) . Yet per- fection is achieved because discipline becomes inward , instinc- tive , and natural . Spartan dance " was the perfect flower of their correction , " in which , as in ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing