The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 46 筆
第 76 頁
... less conscious of time than of place ( most of the chapters are named after islands or buildings ) ; indeed , both periods seem to coexist in a kind of eternal present of aesthetic delight . The final volume is the most time - oriented ...
... less conscious of time than of place ( most of the chapters are named after islands or buildings ) ; indeed , both periods seem to coexist in a kind of eternal present of aesthetic delight . The final volume is the most time - oriented ...
第 84 頁
... less concerned with function than with beauty , and thus , in a sense , is less historical even though con- cerned with a specific period of time . Ruskin looks at architec- tural monuments not as stages in a gradual process but as ...
... less concerned with function than with beauty , and thus , in a sense , is less historical even though con- cerned with a specific period of time . Ruskin looks at architec- tural monuments not as stages in a gradual process but as ...
第 126 頁
... less broad than Ruskin's , if somewhat less fre- quently articulated . Opposing artistic conventions provided a social context in which they could oppose more pervasive con- ventions of feeling and thought . With Pater , they might have ...
... less broad than Ruskin's , if somewhat less fre- quently articulated . Opposing artistic conventions provided a social context in which they could oppose more pervasive con- ventions of feeling and thought . With Pater , they might have ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing