The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 71 筆
第 97 頁
... human level , at the " sea - stories " where men lived and worked in the past , to discover precise and detailed evidence of the Gothic mind in the rough carving of its surfaces . Throughout Gothic architecture Ruskin finds signs of ...
... human level , at the " sea - stories " where men lived and worked in the past , to discover precise and detailed evidence of the Gothic mind in the rough carving of its surfaces . Throughout Gothic architecture Ruskin finds signs of ...
第 98 頁
... human impulses . This is a direct conclusion from his arguments about the necessity for full perception of reality and for the integration of human faculties . His attack on nineteenth - century industrial society is largely an attack ...
... human impulses . This is a direct conclusion from his arguments about the necessity for full perception of reality and for the integration of human faculties . His attack on nineteenth - century industrial society is largely an attack ...
第 102 頁
... human and cosmic powers which Ruskin tries to represent in Turner's paintings . But at Venice , nature has created not merely a single artifact but an entire city , a model of perfection for the individual and the state . " The Nature ...
... human and cosmic powers which Ruskin tries to represent in Turner's paintings . But at Venice , nature has created not merely a single artifact but an entire city , a model of perfection for the individual and the state . " The Nature ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
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abstract aesthetic allusions architecture artifact artistic beauty becomes Blessed Damozel complex contemplation create critic culture D. G. Rossetti Dante Gabriel Rossetti death define describes dramatizes embodies emotional essay evocative experience expression fact feeling Fête Champêtre fictional figure genre Giorgione Gothic grotesque human ideal imagery Imaginary Portraits imagination implies intellectual intense J. M. W. Turner landscape Leonardo literary literature of art M. H. Abrams Marius Mark's meaning medieval metaphor Modern Painters modes moral nature painting passage passion Pater pathetic fallacy perception perfect Plato poem poetic poetry Pre-Raphaelite prose reader reality reference religious Renaissance ritual of interpretation Romantic Rossetti Ruskin Ruskinian scene seems sense Slave Ship Sonnets for Pictures spirit Stones of Venice story structure style suggests symbolic theme thought tion tradition transformation truth Turner Venetian verse Victorian Victorian literature vision visionary visual art volume Walter Pater Winckelmann writing