The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 47 筆
第 24 頁
... beauty in art and nature . But the language of interpretation in Pater and Rossetti is more sedately mannered , their rhythms more pensive , their tones more artificial and controlled . As Max Beerbohm has observed with penetrating wit ...
... beauty in art and nature . But the language of interpretation in Pater and Rossetti is more sedately mannered , their rhythms more pensive , their tones more artificial and controlled . As Max Beerbohm has observed with penetrating wit ...
第 72 頁
... beauty when first sighted across the water . Indeed , it was in Italy that he probably first found an allegorical account of the city's historical decline : Then she felt Her strength departing , yet awhile maintained Her state , her ...
... beauty when first sighted across the water . Indeed , it was in Italy that he probably first found an allegorical account of the city's historical decline : Then she felt Her strength departing , yet awhile maintained Her state , her ...
第 162 頁
... Beauty enthroned ; and though her gaze struck awe , I drew it in as simply as my breath . Hers are the eyes which , over and beneath , The sky and sea bend on thee , -which can draw , By sea or sky or woman , to one law , The allotted ...
... Beauty enthroned ; and though her gaze struck awe , I drew it in as simply as my breath . Hers are the eyes which , over and beneath , The sky and sea bend on thee , -which can draw , By sea or sky or woman , to one law , The allotted ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
著作權所有 | |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing