The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
搜尋書籍內容
第 1 到 3 筆結果,共 45 筆
第 112 頁
... appears likely that the analyses of imagina- tion in The Stones of Venice formed the basis of the aesthetic theories in Modern Painters III , published three years later . As in the chapter on pathetic fallacy , Ruskin identifies four ...
... appears likely that the analyses of imagina- tion in The Stones of Venice formed the basis of the aesthetic theories in Modern Painters III , published three years later . As in the chapter on pathetic fallacy , Ruskin identifies four ...
第 153 頁
... appears only marginally , it provides the central theme in the story " Hand and Soul , " where the analysis of mystical painting is very close to Ruskin's . In fact , what is remarkable in Rossetti's early poetry and prose is the way ...
... appears only marginally , it provides the central theme in the story " Hand and Soul , " where the analysis of mystical painting is very close to Ruskin's . In fact , what is remarkable in Rossetti's early poetry and prose is the way ...
第 196 頁
... appear to have been evolved , which William prints as " Versicles and Fragments . " They suggest that Rossetti may have characteristically begun his poetry from a sense of a par- ticular effect . A few of these appear to be the germs of ...
... appear to have been evolved , which William prints as " Versicles and Fragments . " They suggest that Rossetti may have characteristically begun his poetry from a sense of a par- ticular effect . A few of these appear to be the germs of ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
著作權所有 | |
4 個其他區段未顯示
其他版本 - 查看全部
常見字詞
achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing