The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 74 筆
第 72 頁
... Venice employ precisely these sights , these themes , and this tone and cadence . Like Rogers , Ruskin devotes ... Venice , " There is more true expression of the spirit of Venice " in Rogers ' Italy " than in all else that has been ...
... Venice employ precisely these sights , these themes , and this tone and cadence . Like Rogers , Ruskin devotes ... Venice , " There is more true expression of the spirit of Venice " in Rogers ' Italy " than in all else that has been ...
第 74 頁
... Venice help explain some of Ruskin's new attitudes toward imagination in Modern Painters III , particularly his attack on the moral dangers of surrender to the pathetic fallacy . But it would underestimate Ruskin to treat his different ...
... Venice help explain some of Ruskin's new attitudes toward imagination in Modern Painters III , particularly his attack on the moral dangers of surrender to the pathetic fallacy . But it would underestimate Ruskin to treat his different ...
第 75 頁
... Venice is only a book ; and no book - indeed , no single work of art can fully portray the richness of this city . In this respect not only is Ruskin close to his use of Turner and his view of nature in Modern Painters , but he treats ...
... Venice is only a book ; and no book - indeed , no single work of art can fully portray the richness of this city . In this respect not only is Ruskin close to his use of Turner and his view of nature in Modern Painters , but he treats ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
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abstract aesthetic allusions architecture artifact artistic beauty becomes Blessed Damozel complex contemplation create critic culture D. G. Rossetti Dante Gabriel Rossetti death define describes dramatizes embodies emotional essay evocative experience expression fact feeling Fête Champêtre fictional figure genre Giorgione Gothic grotesque human ideal imagery Imaginary Portraits imagination implies intellectual intense J. M. W. Turner landscape Leonardo literary literature of art M. H. Abrams Marius Mark's meaning medieval metaphor Modern Painters modes moral nature painting passage passion Pater pathetic fallacy perception perfect Plato poem poetic poetry Pre-Raphaelite prose reader reality reference religious Renaissance ritual of interpretation Romantic Rossetti Ruskin Ruskinian scene seems sense Slave Ship Sonnets for Pictures spirit Stones of Venice story structure style suggests symbolic theme thought tion tradition transformation truth Turner Venetian verse Victorian Victorian literature vision visionary visual art volume Walter Pater Winckelmann writing