The Ritual of Interpretation: The Fine Arts as Literature in Ruskin, Rossetti, and PaterHarvard University Press, 1975 - 314 頁 |
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第 1 到 3 筆結果,共 14 筆
第 282 頁
... Marius himself , a sensitive , critical observer of his own life , moves through a variety of ethical sympathies ... Marius both physically and mentally , but the focus is on his response to a series of philosophic and moral systems . It ...
... Marius himself , a sensitive , critical observer of his own life , moves through a variety of ethical sympathies ... Marius both physically and mentally , but the focus is on his response to a series of philosophic and moral systems . It ...
第 285 頁
... Marius . By instinct , Marius himself is a wholly aesthetic being , which qualifies him to join a moral elite . But such a phrase , like " the sin of blindness , " created in the tenuous merger of the vocabularies of sensation and ...
... Marius . By instinct , Marius himself is a wholly aesthetic being , which qualifies him to join a moral elite . But such a phrase , like " the sin of blindness , " created in the tenuous merger of the vocabularies of sensation and ...
第 286 頁
... Marius most fully responds : " And so it came to pass that on this morning Marius saw for the first time the wonderful spectacle— wonderful , especially , in its evidential power over himself , over his own thoughts - of those who ...
... Marius most fully responds : " And so it came to pass that on this morning Marius saw for the first time the wonderful spectacle— wonderful , especially , in its evidential power over himself , over his own thoughts - of those who ...
內容
Introduction | 1 |
The Two Landscapes of Modern Painters 6989 | 37 |
The Drama of Architecture | 69 |
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achieved actual aesthetic appears architecture artistic beauty becomes begins calls central century complex contains create critic death define describes early effect embodies entire essay example experience explains expression fact feeling fictional figure final give Gothic grotesque hand House human ideal ideas illustration imagination implies important intellectual intense interpretation Italy kind landscape language less light lines lives Marius meaning medieval mind Modern Painters modes moral nature object observed painting passage past Pater perception perfect picture poem poetic poetry portrait Pre-Raphaelite present prose provides reader reality reference relation religious Renaissance represent response ritual Romantic Rossetti Ruskin scene seems sense single sonnet sort specific spirit Stones story structure Studies style suggests symbolic theme things thought tion tradition transformation truth Turner Venetian Venice vision visual volume whole writing