Shakespeare's Venvs & Adonis |
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第 1 到 5 筆結果,共 6 筆
第 vii 頁
... ( 1589 ) Shakespeare's poem seems to have been indebted for its versification
, as perhaps also for much of its characteristic tone and October 6 , 1573 ; his
father died in 1581 ; at the age of twelve he entered St John's College ,
Cambridge .
... ( 1589 ) Shakespeare's poem seems to have been indebted for its versification
, as perhaps also for much of its characteristic tone and October 6 , 1573 ; his
father died in 1581 ; at the age of twelve he entered St John's College ,
Cambridge .
第 viii 頁
Marlowe's “ rose - cheek'd Adonis " was perhaps therefore a reminiscence of the
opening lines of Shakespeare's poem , and the debt was not the other way , as
has been suggested . There can be no question that the two poems belonged to
...
Marlowe's “ rose - cheek'd Adonis " was perhaps therefore a reminiscence of the
opening lines of Shakespeare's poem , and the debt was not the other way , as
has been suggested . There can be no question that the two poems belonged to
...
第 ix 頁
Perhaps the most interesting of the early allusions to “ Venus and Adonis " are to
be found in the Cambridge play , “ The Return from Parnassus ” ( the second of
the three “ Parnassus ” plays ) , acted at St John's College in 1599 , where
Gullio's ...
Perhaps the most interesting of the early allusions to “ Venus and Adonis " are to
be found in the Cambridge play , “ The Return from Parnassus ” ( the second of
the three “ Parnassus ” plays ) , acted at St John's College in 1599 , where
Gullio's ...
第 xiv 頁
... some by well - known authors of the day , some by obscure poetasters , some
perhaps manufactured to order , so as to give a Shakespearian colouring to the
volume ; possibly one or two fragments of true metal may have been preserved in
...
... some by well - known authors of the day , some by obscure poetasters , some
perhaps manufactured to order , so as to give a Shakespearian colouring to the
volume ; possibly one or two fragments of true metal may have been preserved in
...
第 xv 頁
Perhaps by the author of X. XIV . XV . Probably not Shakespeare's . * XVI . Not
Shakespeare's . XVII . Dumain's Poem to Kate , Love's Labour's Lost ( IV . iii . ) .
XVIII . Found in Weekes's “ Madrigals , " 1597 ; also in “ England's Helicon , "
1600 ...
Perhaps by the author of X. XIV . XV . Probably not Shakespeare's . * XVI . Not
Shakespeare's . XVII . Dumain's Poem to Kate , Love's Labour's Lost ( IV . iii . ) .
XVIII . Found in Weekes's “ Madrigals , " 1597 ; also in “ England's Helicon , "
1600 ...
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answer arms beauty birds blood boar breast breath cheek cold dead death delight desire doth early earth edition embrace eyes face fair fall fancy favour fear Field fire flower foul give gone ground hand hard hast hath head hear heart heaven kill kiss leave light lips live looks lost Love's mind morn needs never night once pale Passionate perhaps play poem poet poor printed Probably proud prove published queen quoth references rest rhyming rose runs scorn seems seen Shake Shakespeare's shine sighs sight sing soft sometime Sonnets soon sorrow spring stand strike sweet tears tender thee thine things thou thought thousand tongue turn unto Venus and Adonis wind wound young Youth
熱門章節
第 iv 頁 - No man was ever yet a great poet, without being at the same time a profound philosopher. For poetry is the blossom and the fragrancy of all human knowledge, human thoughts, human passions, emotions, language.
第 96 頁 - A belt of straw and ivy buds With coral clasps and amber studs : And if these pleasures may thee move, Come live with me and be my Love.
第 96 頁 - IF all the world and love were young, And truth in every shepherd's tongue, These pretty pleasures might me move To live with thee and be thy love.
第 47 頁 - Love comforteth like sunshine after rain, But lust's effect is tempest after sun ; Love's gentle spring doth always fresh remain, Lust's winter comes ere summer half be done : Love surfeits not, lust like a glutton dies ; Love is all truth, lust full of forged lies.
第 80 頁 - If music and sweet poetry agree, As they must needs, the sister and the brother, Then must the love be great 'twixt thee and me, Because thou lov'st the one, and I the other. Dowland to thee is dear, whose heavenly touch Upon the lute doth ravish human sense; Spenser to me, whose deep conceit is such As, passing all conceit, needs no defence. Thou lov'st to hear the sweet melodious sound That Phoebus...
第 19 頁 - Look when a painter would surpass the life In limning out a well-proportion'd steed, His art with nature's workmanship at strife, As if the dead the living should exceed: So did this horse excel a common one, In shape, in courage, colour, pace and bone.
第 73 頁 - When my love swears that she is made of truth I do believe her, though I know she lies, That she might think me some untutor'd youth, Unlearned in the world's false subtleties. Thus vainly thinking that she thinks me young, Although she knows my days are past the best, Simply I credit her false-speaking tongue: On both sides thus is simple truth suppress'd.
第 98 頁 - Every one that flatters thee Is no friend in misery. Words are easy, like the wind; Faithful friends are hard to find: Every man will be thy friend Whilst thou hast wherewith to spend; But if store of crowns be scant, No man will supply thy want. If that one be prodigal, Bountiful they will him call, And with such-like flattering, 'Pity but he were a king...
第 97 頁 - Fie, fie, fie,' now would she cry ; ' Tereu, tereu ! ' by and by ; That to hear her so complain, Scarce I could from tears refrain ; For her griefs, so lively shown, Made me think upon mine own. Ah, thought I, thou mourn'st in vain ! None takes pity on thy pain : Senseless trees they cannot hear thee ; Ruthless...
第 iv 頁 - Shakespeare's poems the creative power and the intellectual energy wrestle as in a war embrace. Each in its excess of strength seems to threaten the extinction of the other. At length in the drama they were reconciled, and fought each with its shield before the breast of the other. Or like two rapid streams that, at their first meeting within narrow and rocky banks, mutually strive to repel each other and intermix reluctantly and in tumult, but soon finding a wider channel and more yielding shores...