Biographia Literaria, 第 2 卷Clarendon Press, 1907 - 334 頁 |
搜尋書籍內容
第 1 到 5 筆結果,共 31 筆
第 8 頁
... the composition will be a poem , merely because it is distinguished from prose by metre , or by rhyme , or by both conjointly . In this , the lowest sense , 35 > 5 10 15 a man might attribute the name of 8 CH . XIV Biographia Literaria.
... the composition will be a poem , merely because it is distinguished from prose by metre , or by rhyme , or by both conjointly . In this , the lowest sense , 35 > 5 10 15 a man might attribute the name of 8 CH . XIV Biographia Literaria.
第 9 頁
... metre , with or without rhyme , entitle these to the name of poems ? The answer is , that nothing can permanently please , which does not contain in itself the reason why it is so , and not otherwise . If metre be superadded , all other ...
... metre , with or without rhyme , entitle these to the name of poems ? The answer is , that nothing can permanently please , which does not contain in itself the reason why it is so , and not otherwise . If metre be superadded , all other ...
第 11 頁
... metre , and even without the contra - distinguishing objects of a poem . 20 The first chapter of Isaiah ( indeed a very large portion of the whole book ) is poetry in the most emphatic sense ; yet it would be not less irrational than ...
... metre , and even without the contra - distinguishing objects of a poem . 20 The first chapter of Isaiah ( indeed a very large portion of the whole book ) is poetry in the most emphatic sense ; yet it would be not less irrational than ...
第 21 頁
... metre , on the other hand , he is comparatively careless . The measure is either constructed 15 on no previous system , and acknowledges no justifying prin- ciple but that of the writer's convenience ; or else some mechanical movement ...
... metre , on the other hand , he is comparatively careless . The measure is either constructed 15 on no previous system , and acknowledges no justifying prin- ciple but that of the writer's convenience ; or else some mechanical movement ...
第 24 頁
... metres , such as have been attempted of late in the " Alonzo and Imogen , " and others borrowed from the German , having in their very mechanism a specific overpowering tune , to which the generous reader humours his voice and emphasis ...
... metres , such as have been attempted of late in the " Alonzo and Imogen , " and others borrowed from the German , having in their very mechanism a specific overpowering tune , to which the generous reader humours his voice and emphasis ...
其他版本 - 查看全部
常見字詞
admiration agreeable Apollo Belvedere appear beauty Bertram Biog Brougham Castle character Coleridge Coleridge's common composed composition critic Dane definition delight diction distinction dramatic Edinburgh Review edition effect Elbe English Ennead equally Essay excellence excitement expression faculties fancy feeling former German Greek Hamburg heart human images imagination imitation instance intellectual interest judgement Kant Klopstock Kotzebue lady language Lectures less Letters lines Lyrical Ballads means ment metre Milton mind moral nature object opinion original passage passion perhaps person philosopher pleasure Plotinus poem poet poet's poetry Preface present principle prose published 1807 Ratzeburg reader reason recollect Review rhyme rustic Samuel Daniel Sara Coleridge scene seems sense Shakespeare sonnet soul speaking specimens spirit stanza style sweet taste thing thou thought tion translation truth unity Venus and Adonis verse whole words Wordsworth writings καὶ
熱門章節
第 6 頁 - Lyrical Ballads, in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic — yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief, for the moment, which constitutes poetic faith.
第 12 頁 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
第 43 頁 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
第 74 頁 - LORD, with what care hast thou begirt us round ! Parents first season us : then schoolmasters Deliver us to laws ; they send us bound To rules of reason, holy messengers, Pulpits and Sundays, sorrow dogging sin, Afflictions sorted, anguish of all sizes. Fine nets and stratagems to catch us in, Bibles laid open, millions of surprises, Blessings beforehand, ties of gratefulness, The sound of glory ringing in our ears ; Without, our shame ; within, our consciences ; Angels and grace, eternal hopes and...
第 35 頁 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
第 51 頁 - By bud of nobler race: this is an art Which does mend nature, change it rather, but The art itself is nature.
第 6 頁 - Wordsworth, on the other hand, was to propose to himself, as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
第 31 頁 - ... the passions of men are incorporated with the beautiful and permanent forms of nature.
第 48 頁 - And in my breast the imperfect joys expire; Yet Morning smiles the busy race to cheer, And new-born pleasure brings to happier men; The fields to all their wonted tribute bear; To warm their little loves the birds complain. I fruitless mourn to him that cannot hear And weep the more because I weep in vain.
第 10 頁 - A poem is that species of composition, which is opposed to works of science, by proposing for its immediate object pleasure, not truth ; and from all other species (having this object in common with it) it is discriminated by proposing to itself such delight from the whole, as is compatible with a distinct gratification from each component part.