Some Account of the English Stage: From the Restoration in 1660 to 1830, 第 2 卷H.E. Carrington, 1832 |
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第 1 到 5 筆結果,共 66 筆
第 7 頁
... Duke of Cornwall Hodgson : Grimbald ( an earthy Spirit ) = Bowman : Philadel ( an airy Spirit ) = Mrs. Butler : Emmeline ( in love with Arthur ) = Mrs. Bracegirdle : -this Dramatick Opera ( for so Dryden calls it ) was brought out at ...
... Duke of Cornwall Hodgson : Grimbald ( an earthy Spirit ) = Bowman : Philadel ( an airy Spirit ) = Mrs. Butler : Emmeline ( in love with Arthur ) = Mrs. Bracegirdle : -this Dramatick Opera ( for so Dryden calls it ) was brought out at ...
第 9 頁
... Duke of Guise Kynaston : King Henry 3d of France Freeman : Bariser = Verbruggen : ( not Alexander ) Maffé = Bright : Fencing Master = Bowen Pyrrot Sibber : ( Cibber - a part of 9 lines ) Tamira ( wife to Montsurry ) Mrs. Brace- girdle ...
... Duke of Guise Kynaston : King Henry 3d of France Freeman : Bariser = Verbruggen : ( not Alexander ) Maffé = Bright : Fencing Master = Bowen Pyrrot Sibber : ( Cibber - a part of 9 lines ) Tamira ( wife to Montsurry ) Mrs. Brace- girdle ...
第 25 頁
... Duke indeed has no name given to him , but we must suppose him to be Theseus . The Comic characters enter , and rehearse the Mock - Tragedy as in the 5th act of the original- Robin Goodfellow comments on the play - in Mid- summer ...
... Duke indeed has no name given to him , but we must suppose him to be Theseus . The Comic characters enter , and rehearse the Mock - Tragedy as in the 5th act of the original- Robin Goodfellow comments on the play - in Mid- summer ...
第 26 頁
... Duke and the serious characters re - enter - and after- wards the Fairies - Oberon tells the Duke he will feast his eye and ear - Juno appears in a machine— the Peacocks spread their tails and fill the middle of the Theatre — the scene ...
... Duke and the serious characters re - enter - and after- wards the Fairies - Oberon tells the Duke he will feast his eye and ear - Juno appears in a machine— the Peacocks spread their tails and fill the middle of the Theatre — the scene ...
第 30 頁
... Duke of Florence = Hodgson : Pisano = Cibber Florio ( brother to Sciarrah and Amidea ) = Alexander : Cosmo = Harris ... Duke , but se- cretly his enemy - the Duke is in love with Amidea , and attempts to debauch her - her brother ...
... Duke of Florence = Hodgson : Pisano = Cibber Florio ( brother to Sciarrah and Amidea ) = Alexander : Cosmo = Harris ... Duke , but se- cretly his enemy - the Duke is in love with Amidea , and attempts to debauch her - her brother ...
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常見字詞
3d act 5th act actors alteration Amorous Amphitryon Barry Betterton Bickerstaffe Bicknell Bignall Booth borrowed Bowen Bowman Bracegirdle Bradshaw brother Bullock Jun Capt character Charles Cibber Cockwood comic Cuckolds daughter disguised Dogget Dryden Duke Elrington Emperour enters Epilogue Estcourt Falstaff Farce father Griffin Hamlet Henry 4th Humorous Lieutenant Husband Isabella Joe Haines Johnson Julius Cæsar Keen kills King Knight Lady Leigh Leonora Lord Love for Love Maid's Tragedy Marriage Marriage a-la-Mode marry Mills Miss Mountfort Never acted Norris Northern Lass Old Batchelor Oldfield omitted Othello Pack Pinkethman play plot Porter Powell pretends Prince printed Prologue Queen Quin racters Rogers Ryan Santlow Saunders says Scornful Lady servant Shakspeare Silent Woman Sir Solomon Sir Thomas Spanish Fryar Spiller Squire stage supposed tells theatre Thurmond Timon of Athens Tragedy Underhill Unhappy Favourite Verbruggen Virtue Betrayed Volpone Widow wife Wilks Willis woman wou'd written Young
熱門章節
第 198 頁 - I smile, And cry, Content, to that which grieves my heart ; And wet my cheeks with artificial tears, And frame my face to all occasions.
第 210 頁 - My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain. Perjury, perjury, in the high'st degree; Murder, stern murder in the dir'st degree; All several sins, all us'd in each degree, Throng to the bar, crying all, 'Guilty, guilty!
第 212 頁 - Once more unto the breach, dear friends, once more, Or close the wall up with our English dead ! In peace there's nothing so becomes a man As modest stillness and humility ; But when the blast of war blows in our ears, Then imitate the action of the tiger...
第 456 頁 - Mr. Betterton (although a superlative good actor) labored under ill figure, being clumsily made, having a great head, a short thick neck, stooped in the shoulders, and had fat short arms, which he rarely lifted higher than his stomach. His left hand frequently lodged in his breast, between his coat and waistcoat, while, with his right he prepared his speech.
第 43 頁 - Og may write against the king, if he pleases, so long as he drinks for him, and his writings will never do the government so much harm, as his drinking does it good ; for true subjects will not be much perverted by his libels; but the wine-duties rise considerably by his claret.
第 314 頁 - ... pay than any of his predecessors. He would laugh with them over a bottle, and bite them in their bargains. He kept them poor, that they might not be able to rebel ; and sometimes merry, that they might not think of it.
第 421 頁 - The author of The Tatler recommends him to the favour of the town, upon that play's being acted for his benefit, wherein, after his age had some years obliged him to leave the stage, he came on again, for that day, to perform his old part; but, alas ! so worn and disabled, as if himself was to have lain in the grave he was digging : when he could no more excite laughter, his infirmities were dismissed with pity : he died soon after, a superannuated pensioner, in the list of those, who were supported...
第 211 頁 - I shall, despair. — There is no creature loves me ; And, if I die, no soul will pity me : — Nay, wherefore should they ? since that I myself Find in myself no pity to myself.
第 516 頁 - Tom observed to me, that after having written more odes than Horace, and about four times as many comedies as Terence, he was reduced to great difficulties, by the importunities of a set of men, who, of late years, had furnished him with the accommodations of life, and would not, as we say, be paid with a song.
第 511 頁 - The tender respect of Augustus for a free constitution which he had destroyed can only be explained by an attentive consideration of the character of that subtle tyrant. A cool head, an unfeeling heart, and a cowardly disposition, prompted him at the age of nineteen to assume the mask of hypocrisy, which he never afterwards laid aside.