The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 1978 - 289 頁 |
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第 1 到 3 筆結果,共 56 筆
第 53 頁
... producing it : Large objects , when set into resonant motion , tend to produce low frequency sounds ( hence low pitched and voluminous sounds ) , whereas small objects tend to produce high and small ones . An orchestra of 100 ...
... producing it : Large objects , when set into resonant motion , tend to produce low frequency sounds ( hence low pitched and voluminous sounds ) , whereas small objects tend to produce high and small ones . An orchestra of 100 ...
第 89 頁
... produce the whitest colors — or , at least , they produce white colors most often ; / o / , / U / , and / u / , on the other hand , are low pitched , dark sounding vowels , and they produce the darkest colors . Bleuler and Lehmann ...
... produce the whitest colors — or , at least , they produce white colors most often ; / o / , / U / , and / u / , on the other hand , are low pitched , dark sounding vowels , and they produce the darkest colors . Bleuler and Lehmann ...
第 148 頁
... produce the same perceptual experi- ence , they necessarily produce the same neural response . To deduce the latter requires the principle's reflected version . This problem crops up in the scheme formulated by Brindley ( 1960 ) . In ...
... produce the same perceptual experi- ence , they necessarily produce the same neural response . To deduce the latter requires the principle's reflected version . This problem crops up in the scheme formulated by Brindley ( 1960 ) . In ...
內容
Introduction | 1 |
The Doctrine of Common Psychophysical Properties | 4 |
CrossModal Perception of Space | 29 |
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常見字詞
activity analogies appear associations attributes auditory brightness called cells cold colors common constant correspondences cross-modal dark depends described dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing identical images important increases instance intensity language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects organ perceived perception perhaps physical pitch play poetry possible presented primary principle processes produce properties psychological psychophysical qualities question relation relationship relative reported resemble responses seems sensation senses sensory shape sight similar single sound space spatial speech stimulus studies subjects suggest sweet symbolism synesthesia synesthetic tactile taste temporal theory tion tone touch transfer unity vision visual vowels