The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 1978 - 289 頁 |
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第 1 到 3 筆結果,共 59 筆
第 35 頁
... perhaps several voices heard at once . How many different voices can we pick out ? Two , three , four ? Perhaps a few more , but not many . The auditory system has only a feeble capacity to determine number - when the several sounds are ...
... perhaps several voices heard at once . How many different voices can we pick out ? Two , three , four ? Perhaps a few more , but not many . The auditory system has only a feeble capacity to determine number - when the several sounds are ...
第 101 頁
... perhaps be treated as one of quantity rather than of quality . There is , however , a second difference . Synesthetic translations from one modality to another tend to be rigid and inflexible , from which we may deduce that these ...
... perhaps be treated as one of quantity rather than of quality . There is , however , a second difference . Synesthetic translations from one modality to another tend to be rigid and inflexible , from which we may deduce that these ...
第 123 頁
... ( perhaps one similar to that for vibrotactile pitch ) . The question remains , Which analogy is best for discrimination ? Shape and size . Owen and Brown ( 1970b ) compared visual and tactile discrimination of randomly articulated ...
... ( perhaps one similar to that for vibrotactile pitch ) . The question remains , Which analogy is best for discrimination ? Shape and size . Owen and Brown ( 1970b ) compared visual and tactile discrimination of randomly articulated ...
內容
Introduction | 1 |
The Doctrine of Common Psychophysical Properties | 4 |
CrossModal Perception of Space | 29 |
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常見字詞
activity analogies appear associations attributes auditory brightness called cells cold colors common constant correspondences cross-modal dark depends described dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing identical images important increases instance intensity language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects organ perceived perception perhaps physical pitch play poetry possible presented primary principle processes produce properties psychological psychophysical qualities question relation relationship relative reported resemble responses seems sensation senses sensory shape sight similar single sound space spatial speech stimulus studies subjects suggest sweet symbolism synesthesia synesthetic tactile taste temporal theory tion tone touch transfer unity vision visual vowels