The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 1978 - 289 頁 |
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第 1 到 3 筆結果,共 68 筆
第 14 頁
... objects and events themselves ; hence no justification exists for distinguishing primary from secondary qualities , since there is no independent means to determine whether given perceived qual- ities are qualities of objects as well as ...
... objects and events themselves ; hence no justification exists for distinguishing primary from secondary qualities , since there is no independent means to determine whether given perceived qual- ities are qualities of objects as well as ...
第 19 頁
... objects , the edges also feel curved to the touch , and the objects ' shapes feel the way they look ( J. J. Gibson , 1933 ; Rock & Victor , 1964 ) . In a more naturalistic , less contrived situation — perception under water - objects ...
... objects , the edges also feel curved to the touch , and the objects ' shapes feel the way they look ( J. J. Gibson , 1933 ; Rock & Victor , 1964 ) . In a more naturalistic , less contrived situation — perception under water - objects ...
第 29 頁
... objects in space , but the relations of objects in space to one another and to the perceiver . Kant ( 1781 ) theorized that space is an a priori form of perception . By this , Kant meant that , from a logical point of view , the ...
... objects in space , but the relations of objects in space to one another and to the perceiver . Kant ( 1781 ) theorized that space is an a priori form of perception . By this , Kant meant that , from a logical point of view , the ...
內容
Introduction | 1 |
The Doctrine of Common Psychophysical Properties | 4 |
CrossModal Perception of Space | 29 |
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常見字詞
activity analogies appear associations attributes auditory brightness called cells cold colors common constant correspondences cross-modal dark depends described dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing identical images important increases instance intensity language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects organ perceived perception perhaps physical pitch play poetry possible presented primary principle processes produce properties psychological psychophysical qualities question relation relationship relative reported resemble responses seems sensation senses sensory shape sight similar single sound space spatial speech stimulus studies subjects suggest sweet symbolism synesthesia synesthetic tactile taste temporal theory tion tone touch transfer unity vision visual vowels