The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 1978 - 289 頁 |
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第 1 到 3 筆結果,共 53 筆
第 59 頁
... frequency ; he took advantage of the fact that high frequency sounds are bright , low frequency sounds dark or dull . Several commentators , like Rich ( 1919 ) , Hartshorne ( 1934 ) , and to some extent Nafe ( 1927 ) , identified ...
... frequency ; he took advantage of the fact that high frequency sounds are bright , low frequency sounds dark or dull . Several commentators , like Rich ( 1919 ) , Hartshorne ( 1934 ) , and to some extent Nafe ( 1927 ) , identified ...
第 60 頁
... frequency . 110 110 100 8 8 8 2 50 50 200 500 1000 2000 5000 100 200 500 1000 2000 5000 HERTZ Figure 3.5 . Curves of constant brightness . The subjects ' task was to match the bright- ness of a pure tone to the brightness of a white ...
... frequency . 110 110 100 8 8 8 2 50 50 200 500 1000 2000 5000 100 200 500 1000 2000 5000 HERTZ Figure 3.5 . Curves of constant brightness . The subjects ' task was to match the bright- ness of a pure tone to the brightness of a white ...
第 79 頁
... frequency band ; the frequency band that constitutes the second formant lies above the band that constitutes the first formant . As Table 3.1 shows , there is an orderly relation between the size of the object suggested by each vowel ...
... frequency band ; the frequency band that constitutes the second formant lies above the band that constitutes the first formant . As Table 3.1 shows , there is an orderly relation between the size of the object suggested by each vowel ...
內容
Introduction | 1 |
The Doctrine of Common Psychophysical Properties | 4 |
CrossModal Perception of Space | 29 |
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常見字詞
activity analogies appear associations attributes auditory brightness called cells cold colors common constant correspondences cross-modal dark depends described dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing identical images important increases instance intensity language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects organ perceived perception perhaps physical pitch play poetry possible presented primary principle processes produce properties psychological psychophysical qualities question relation relationship relative reported resemble responses seems sensation senses sensory shape sight similar single sound space spatial speech stimulus studies subjects suggest sweet symbolism synesthesia synesthetic tactile taste temporal theory tion tone touch transfer unity vision visual vowels