Cavell on FilmSUNY Press, 2005年4月21日 - 399 頁 This extensive collection offers a substantially complete retrospective of Stanley Cavell s previously uncollected writings on film. Cavell is the only major philosopher in the Anglo-American tradition who has made film a central concern of his work, and his work offers inspiration and new directions to the field of film studies. The essays and other writings in this volume, presented in the order of their composition, range from major theoretical statements and extended critical studies of individual films or filmmakers to occasional pieces, all of which illuminate Cavell s practice of philosophy as it has developed in the more than three decades since the publication of The World Viewed. All periods of Cavell s career are represented, from the 1970s to the present, and the book includes many previously unpublished essays written since the early 1990s. In his introduction, William Rothman provides a useful and eloquent overview of Cavell s work on film and his aims as a philosopher more generally. |
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內容
What Becomes of Things on Film? 1978 | 1 |
On Makavejev on Bergman 1979 | 11 |
North by Northwest 1981 | 41 |
The Fact of Television 1982 | 59 |
The Thought of Movies 1983 | 87 |
What Good Is a Film Museum? What Is a Film Culture? 1983 | 107 |
What Photography Calls Thinking 1985 | 115 |
A Capra Moment 1985 | 135 |
Groundhog Day 1996 | 221 |
Something Out of the Ordinary 1996 | 223 |
Collecting Thoughts on Collecting 1998 | 241 |
Concluding Remarks Presented at Paris Colloquium on La Projection du monde 1999 | 281 |
On Eric Rohmers A Tale of Winter 1999 | 287 |
The Image of the Psychoanalyst in Film 2000 | 295 |
Opera in and As Film 2000 | 305 |
Philosophy the Day after Tomorrow 2000 | 319 |
The Fantastic of Philosophy 1986 | 145 |
Two Cheers for Romance 1988 | 153 |
The Advent of Videos 1988 | 167 |
Marie 1993 | 175 |
Reading the Marx Brothers 1994 | 183 |
Bergmans Smiles of a Summer Night and The Winters Tale 1994 | 193 |
Words of Welcome 1996 | 205 |
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