A World of Possibilities: Romantic Irony in Victorian LiteratureOhio State University Press, 1990 - 163 頁 A study of how romantic irony characterizes works, in various genres, by Carlyle, Thackeray, Browning, Arnold, Dickens, Tennyson, and Pater. Annotation copyrighted by Book News, Inc., Portland, OR |
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actors appears Arthur artist believe Bleak House Browning Browning's Camelot Carlyle Carlyle's chaos chapter characters Charles Dickens Christian Christmas-Eve Clough commedia dell'arte critics Cyrenaics death Dickens Dickens's doctrine of becoming drama epic Epicurean Esther example fact fate feel finite French Revolution Gareth genres Geraint Geraint and Enid Grail Guinevere Heracliteanism Heraclitus hero ideal Idylls infinite ironic ironist Jarndyce Jellyby kind King knights Lady Dedlock Lancelot language Letters literary London look Marius Matthew Arnold meaning Merlin mode moral narrative narrator says nature never noted novel parabasis Pelleas person philosophy play poem poet poet's poetry present puppets reader reality Ricks Robert Browning role romantic irony Round Table Sartor Resartus Schlegel seems speaker speaks story tale tells Tennyson Thackeray Thackeray's things Thomas Carlyle tion true truth Tulkinghorn Vanity Fair Victorian vision Vivien Walter Pater words write York