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Abdiel Adam admired afterwards angels appears benesit blank verse blind Butler called Cambridge censure character Chorus Church cient Comus considered consirmed critick curiosity danger daugh daughter death defend delight dibras diction diligence distich domestick Don Quixote Dryden elegance Elegies English epick poem Euripides evil excellence fancy favour fore friends heaven heroick honour hope Hudibras human images imagination Italian John Milton judgement justly king knew known labour language Latin learning lence lian literature Lucifer Lycidas married ment Milton mind musick narration nature ness never nihil numbers opinion Paradise Lost Paradise Regained passions perhaps perusal Philips pleasure poet poetical poetry praise prayer publick published Puritans racter reader reason regicides relates remarks rhyme Salmasius Satan says seems sentiments shew sifteen sinds sirst sive pounds sometimes spirits stile supposed ther thing thought tion truth visited Wood write written
第 154 頁 - In this poem there is no nature, for there is no truth ; there is no art, for there is nothing new. Its form is that of a pastoral, easy, vulgar, and therefore disgusting; whatever images it can supply are long ago exhausted ; and its inherent improbability always forces dissatisfaction on the mind.
第 140 頁 - To be of no church is dangerous. Religion, of which the rewards are distant and which is animated only by Faith and Hope, will glide by degrees out of the mind unless it be invigorated and reimpressed by external ordinances, by stated calls to worship, and the salutary influence of example.
第 35 頁 - ... devout prayer to that eternal Spirit who can enrich with all utterance and knowledge, and sends out his seraphim, with the hallowed fire of his altar, to touch and purify the lips of whom he pleases...
第 155 頁 - We know that they never drove a field, and that they had no flocks to batten; and though it be allowed that the representation may be allegorical, the true meaning is so uncertain and remote, that it is never sought because it cannot be known when it is found.
第 197 頁 - The plan of Paradise Lost has this inconvenience, that it comprises neither human actions nor human manners. The man and woman who act and suffer are in a state which no other man or woman can ever know. The reader finds no transaction in which he can be engaged, beholds no condition in which he can by any effort of imagination place himself; he has, therefore, little natural curiosity or sympathy.
第 29 頁 - But the truth is that the knowledge of external nature, and the sciences which that knowledge requires or includes, are not the great or the frequent business of the human mind. Whether we provide for action or conversation, whether we wish to be useful or pleasing, the first requisite is the religious and moral knowledge of right and wrong ; the next is an acquaintance with the history of mankind, and with those examples which may be said to embody truth and prove by events the reasonableness of...
第 220 頁 - ... and preserved by the artifice of rhyme. The variety of pauses, so much boasted by the lovers of blank verse, changes the measures of an English poet to the periods of a declaimer ; and there are only a few skilful and happy readers of Milton, who enable their audience to perceive where the lines end or begin. " Blank verse," said an ingenious critic, "seems to be verse only to the eye.
第 172 頁 - Bossu is of opinion, that the poet's first work is to find a moral, which his fable is afterwards to illustrate and establish.
第 31 頁 - It was his labour to turn philosophy from the study of nature to speculations upon life; but the innovators whom I oppose are turning off attention from life to nature. They seem to think that we are placed here to watch the growth of plants or the motions of the stars; Socrates was rather of opinion, that what we had to learn was how to do good and avoid evil.