Shakespearean Language: A Guide for Actors and StudentsBloomsbury Academic, 2002 - 269 頁 Shakespeare was a master of language, his sayings have become part of everyday speech, and his plays endure, in part, because of the beauty of his verse. Shakespeare's language, however, poses special difficulties for modern actors because many of his words seem unusual or difficult to pronounce, he employs rhetorical devices throughout his works, and he carefully uses rhythm to convey sense. |
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第 1 到 3 筆結果,共 44 筆
... energy , in keeping with the " strong / light / strong / light / strong / light " cadence . From the perspective of an actor , the forward - moving energy of the iamb is the perfect vehicle for the creation of speech acts . The ...
... energy contained in the line requires an extra burst of energy to start it off . Rather than the more familiar unstressed syllable serving as a springboard taking us immediately into the first stressed syllable , the inversion pounds ...
... energy out , to let the last two words of the line , seemingly so trivial , rumble deep in the throat . But this goes against everything that the Iambic Code reveals to us . The " it " is the point to which the entire line leads . Words ...