Shakespearean Language: A Guide for Actors and Students
Greenwood Press, 2002 - 269 頁
Shakespeare was a master of language, his sayings have become part of everyday speech, and his plays endure, in part, because of the beauty of his verse. Shakespeare's language, however, poses special difficulties for modern actors because many of his words seem unusual or difficult to pronounce, he employs rhetorical devices throughout his works, and he carefully uses rhythm to convey sense.
The relation of the modern actor to the Shakespearean text, the importance of understanding the nuances of his language, and the fundamentals of grammar are all thoroughly examined in this volume. Its heart is a detailed consideration of the iambic code, the metrical system that Shakespeare used to give so much power to his verse. O'Dell also examines the importance of formal rhetoric in Elizabethan England and Shakespeare's artful use of rhetorical devices in his plays. As a practical reference guide, this volume keeps in mind the particular needs of theater professionals.
第 1 到 3 筆結果，共 43 筆
Some coaches and mentors become sufficiently knowledgeable that we have
some responsibility in preparing supportive structures for the bridge ' s structure
midway into the four - hundred - year gap . For example , much of the information
128 ] It is remarkable how quickly the basic building blocks of rhetoric become
sufficiently familiar to reveal themselves to the modern actor ' s intellectual
appreciation . When coupled with imitation , the mouth and tongue and breath
... how far Elizabeth has fallen . Wife has become widow , queen has become
caitiff , meaning slave , scorned at becomes scorned of . Verbs shift from active to
passive or vice versa : " being sued to ” becomes “ humbly sues , " " feared ...
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The goal of this trio of books by O'Dell (theater and English, Wilfrid Laurier Univ.), the text consultant for the Stratford Festival, is to help actors and students gain access to Shakespeare's plays ... 閱讀評論全文