The Major Critics: The Development of English Literary CriticismCharles Shiveley Holmes Knopf, 1957 - 313 頁 |
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第 1 到 3 筆結果,共 17 筆
第 217 頁
... ment of the end ; but it is not itself the immediate end . In other works the communication of pleasure may be the immediate purpose ; and though truth , either moral or intellectual , ought to be the ultimate end , yet this will ...
... ment of the end ; but it is not itself the immediate end . In other works the communication of pleasure may be the immediate purpose ; and though truth , either moral or intellectual , ought to be the ultimate end , yet this will ...
第 257 頁
... ment and application of principles is , in itself , not the most satisfactory work to the critic ; like mathematics , it is tautological , and cannot well give us , like fresh learning , the sense of creative activity . But stop , some ...
... ment and application of principles is , in itself , not the most satisfactory work to the critic ; like mathematics , it is tautological , and cannot well give us , like fresh learning , the sense of creative activity . But stop , some ...
第 285 頁
... ment on its feet . It is the special picture that must stand or fall , according as it seem to possess truth or to lack it . Mr. Besant does not , to my sense , light up the subject by intimating that a story must , under penalty of not ...
... ment on its feet . It is the special picture that must stand or fall , according as it seem to possess truth or to lack it . Mr. Besant does not , to my sense , light up the subject by intimating that a story must , under penalty of not ...
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常見字詞
action Ancients Aristotle artistic beauty Ben Jonson Besant blank verse character Charles Adderley cism Coleridge Comedy composition creative Crites criticism delight Donne doth drama Dryden emotion English Epic Epic poetry Eugenius Euripides excellent expression feelings fiction French French Revolution genius Goethe Gorboduc hath Homer honour human ideas imagination imitation incidents Jonson judge judgment kind knowledge language learning Lisideius literary literature living Lycidas mean ment metaphysical metaphysical poets metre mind moral nature never novel object observed Paradise Lost passions perfection perhaps persons philosopher play pleasure plot poem Poesy poet poet's poetic poetry Polygnotus Pope practical praise produced prose reader reason rhyme rules sense Shakespeare Silent Woman Sophocles speak stage style T. S. Eliot taste things thought tion Tragedy true truth unity verse whole words Wordsworth writ write