A Carnival of Parting: The Tales of King Bharthari and King Gopi Chand as Sung and Told by Madhu Natisar Nath of Ghatiyali, RajasthanUniversity of California Press, 2023年7月28日 - 392 頁 Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village bard's performance. Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by linguist David Magier, supply A Carnival of Parting with a full range of ethnographic, historical, and cultural backgrounds. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him. The tales are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights their thematic emphases on politics, love, and death. Madhu Nath's vital colloquial telling of Gopi Chand and Bharthari's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994. Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, |
搜尋書籍內容
第 ix 頁
... in Thanvala , Nagaur district , Rajasthan yogi's garb begs for alms 8. Gopi Chand's queen faints as her husband in 9. Languages of Rajasthan IO II 12 18 19 50 59 67 340 Preface Madhu Natisar Nath , whose words in translation form ix.
... in Thanvala , Nagaur district , Rajasthan yogi's garb begs for alms 8. Gopi Chand's queen faints as her husband in 9. Languages of Rajasthan IO II 12 18 19 50 59 67 340 Preface Madhu Natisar Nath , whose words in translation form ix.
第 xiii 頁
... husband who , as I perceived it , cared more for his spiritual aspirations than he did for me and our child . His aspirations could not have been more different from a yogi's ; returning to his childhood roots , he had joined a ...
... husband who , as I perceived it , cared more for his spiritual aspirations than he did for me and our child . His aspirations could not have been more different from a yogi's ; returning to his childhood roots , he had joined a ...
第 4 頁
... husband ) . Daniel , as a historian of religions researching the san! tradition in North India , had become interested in Ghatiyali's Naths when I showed him the transcribed texts of their hymns - many of which had the signature ( chhap ) ...
... husband ) . Daniel , as a historian of religions researching the san! tradition in North India , had become interested in Ghatiyali's Naths when I showed him the transcribed texts of their hymns - many of which had the signature ( chhap ) ...
第 16 頁
... husbands or sons to emulate those figures . An almost universal answer from both sexes was “ No , I wouldn't have the courage . ” Although some renounc- ers encountered and interviewed in temples spontaneously referred to Gopi Chand or ...
... husbands or sons to emulate those figures . An almost universal answer from both sexes was “ No , I wouldn't have the courage . ” Although some renounc- ers encountered and interviewed in temples spontaneously referred to Gopi Chand or ...
第 18 頁
... be cremated alive on her husband's funeral pyre , any style of death may be called satī if through it a female follows a beloved male . ŚIVA JALINDAR NATH MACCHINDAR NATH GORAKH NATH KANNĪ PĀVJI CHARPAṬ 18 Madhu Nath and His Performance.
... be cremated alive on her husband's funeral pyre , any style of death may be called satī if through it a female follows a beloved male . ŚIVA JALINDAR NATH MACCHINDAR NATH GORAKH NATH KANNĪ PĀVJI CHARPAṬ 18 Madhu Nath and His Performance.
其他版本 - 查看全部
常見字詞
alms ashes audience Behri Yogin Bengal Bharthari and Gopi Bharthari Panvar Bhartrihari birth-giver Brahmans brother burned campfire caste Champa Chand and Bharthari Chapala Garden Charpat Nath crying hard darling boy Dhara Nagar dialect donkey ears epic feast fourteen hundred disciples Gandaraph gave Ghatiyali give Gold Gopi Chand Gorakh Baba Gorakh Nath Gorakh Nathji Sovereign Grain-giver Gujarati Guru Sovereign guru's hashish Hindi Honored King hundred slave girls husband immortal India jalebis Jalindar Baba Jalindar Nath jungle Kanni Kanni Pavji kill King Bharthari kingdom lady magicians Lord Shankar Machhindar Nath Madhu Nath's Manavati Mata Manavati Mother Marwari māyā Nath and Paras Nim Nath Pachyo Potter palace Paras Nath performance play portal Queen Pingala Rajasthani realize renouncers Royal Servants Sanskrit satī seven hundred Shiva sister sister-fucker sixteen hundred slave sluts soon tale tapas tibhu tongs translation Ujjain village women yoga yogi