A Carnival of Parting: The Tales of King Bharthari and King Gopi Chand as Sung and Told by Madhu Natisar Nath of Ghatiyali, RajasthanMadhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village bard's performance. Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by linguist David Magier, supply A Carnival of Parting with a full range of ethnographic, historical, and cultural backgrounds. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him. The tales are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights their thematic emphases on politics, love, and death. Madhu Nath's vital colloquial telling of Gopi Chand and Bharthari's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting." |
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第 1 到 5 筆結果,共 5 筆
第 xiv 頁
I had no expectation of finding a living performance tradition of Gopi Chand's tale,
and had never even heard of Bharthari as a folk hero — although I had read
translations of the elegant poems attributed to Bhartrihari, the Sanskrit poet with ...
I had no expectation of finding a living performance tradition of Gopi Chand's tale,
and had never even heard of Bharthari as a folk hero — although I had read
translations of the elegant poems attributed to Bhartrihari, the Sanskrit poet with ...
第 xx 頁
In the performance context, each part falls into segments-broken by Madhu's
putting down his sarangi, evoking the gods and gurus, coughing, and launching
his prose explanation. The present text is numbered according to the title of the
epic, ...
In the performance context, each part falls into segments-broken by Madhu's
putting down his sarangi, evoking the gods and gurus, coughing, and launching
his prose explanation. The present text is numbered according to the title of the
epic, ...
第 14 頁
It is widely acknowledged that any folk performance situation is a dynamic,
interactive event, and this statement certainly describes Rajasthani performances
in general and Madhu Nath's in particular. I shall examine the several ways in
which ...
It is widely acknowledged that any folk performance situation is a dynamic,
interactive event, and this statement certainly describes Rajasthani performances
in general and Madhu Nath's in particular. I shall examine the several ways in
which ...
第 17 頁
of both tales and the performances that most villagers hear twice a year when
Madhu makes his rounds. They hear fragments, and often their favorite fragments
are repeated from year to year. People's understanding may be limited by lack of
...
of both tales and the performances that most villagers hear twice a year when
Madhu makes his rounds. They hear fragments, and often their favorite fragments
are repeated from year to year. People's understanding may be limited by lack of
...
第 336 頁
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常見字詞
alms appears ashes asked audience Baba become began Bengal Bhoju body bring brother brought called campfire caste Charpat comes crying death dialect disciples donkey ears eyes face father feast female fourteen hundred garden gave give Gold Gopi Chand Gorakh Nath Grain-giver Guru Sovereign hand happened Hindi horse husband immortal Jalindar jungle kill kind King Bharthari kingdom lady language leave live look Lord Machhindar Madhu Nath's magic magicians Manavati Mata married meaning Mother never once palace Patam performance person Pingala play portal Potter queen Rajasthani realize recited refers renouncers rule seems seven sister sister-fucker slave girls sluts soon spells story tale tales tapas tell term things thought tongs took traditions translation turned twelve village whole women yogi