A Carnival of Parting: The Tales of King Bharthari and King Gopi Chand as Sung and Told by Madhu Natisar Nath of Ghatiyali, RajasthanUniversity of California Press, 2023年7月28日 - 392 頁 Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village bard's performance. Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by linguist David Magier, supply A Carnival of Parting with a full range of ethnographic, historical, and cultural backgrounds. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him. The tales are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights their thematic emphases on politics, love, and death. Madhu Nath's vital colloquial telling of Gopi Chand and Bharthari's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994. Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, |
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第 1 到 5 筆結果,共 41 筆
第 viii 頁
... Meaning Unmaking Love 314 317 Mortality 326 Oral Performance and the Thick Writing of Fate 328 Appendix 1 : The Language of the Bard , 335 by David Magier Appendix 2 : Proper Nouns Transliterated 351 References 355 Index 367 ...
... Meaning Unmaking Love 314 317 Mortality 326 Oral Performance and the Thick Writing of Fate 328 Appendix 1 : The Language of the Bard , 335 by David Magier Appendix 2 : Proper Nouns Transliterated 351 References 355 Index 367 ...
第 xii 頁
... meanings of the Rajasthani versions of Gopi Chand and the companion tale of his uncle Bharthari . Moreover , I have labored thus not for the record , as did Temple , nor for the tiny pearl , as did Grierson , but because I love the ...
... meanings of the Rajasthani versions of Gopi Chand and the companion tale of his uncle Bharthari . Moreover , I have labored thus not for the record , as did Temple , nor for the tiny pearl , as did Grierson , but because I love the ...
第 xv 頁
... meaning in these stories . Some of my attempts to probe and highlight Gopi Chand alone are published elsewhere ( Gold 1989 , 1991 ) . Here I offer as an afterword ( following with diffidence the precedent set by A. K. Ramanujan in his ...
... meaning in these stories . Some of my attempts to probe and highlight Gopi Chand alone are published elsewhere ( Gold 1989 , 1991 ) . Here I offer as an afterword ( following with diffidence the precedent set by A. K. Ramanujan in his ...
第 7 頁
... meaning he did not know how to play properly— " and went to all the big feasts . " Madhu then listed a number of events ( weddings , holiday enter- tainments , and so forth ) that he had attended in several villages where Naths ...
... meaning he did not know how to play properly— " and went to all the big feasts . " Madhu then listed a number of events ( weddings , holiday enter- tainments , and so forth ) that he had attended in several villages where Naths ...
第 12 頁
... of musical artistry and cultural meanings are Basso 1985 ; Feld 1982 ; Seeger 1987 . Madhu uses two patterned tunes , which he calls rags. 3. Madhu Nath and his son , Shivji , sing Bharthari's tale . 12 Madhu Nath and His Performance.
... of musical artistry and cultural meanings are Basso 1985 ; Feld 1982 ; Seeger 1987 . Madhu uses two patterned tunes , which he calls rags. 3. Madhu Nath and his son , Shivji , sing Bharthari's tale . 12 Madhu Nath and His Performance.
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alms ashes audience Behri Yogin Bengal Bharthari and Gopi Bharthari Panvar Bhartrihari birth-giver Brahmans brother burned campfire caste Champa Chand and Bharthari Chapala Garden Charpat Nath crying hard darling boy Dhara Nagar dialect donkey ears epic feast fourteen hundred disciples Gandaraph gave Ghatiyali give Gold Gopi Chand Gorakh Baba Gorakh Nath Gorakh Nathji Sovereign Grain-giver Gujarati Guru Sovereign guru's hashish Hindi Honored King hundred slave girls husband immortal India jalebis Jalindar Baba Jalindar Nath jungle Kanni Kanni Pavji kill King Bharthari kingdom lady magicians Lord Shankar Machhindar Nath Madhu Nath's Manavati Mata Manavati Mother Marwari māyā Nath and Paras Nim Nath Pachyo Potter palace Paras Nath performance play portal Queen Pingala Rajasthani realize renouncers Royal Servants Sanskrit satī seven hundred Shiva sister sister-fucker sixteen hundred slave sluts soon tale tapas tibhu tongs translation Ujjain village women yoga yogi