A Carnival of Parting: The Tales of King Bharthari and King Gopi Chand as Sung and Told by Madhu Natisar Nath of Ghatiyali, RajasthanUniversity of California Press, 2023年7月28日 - 392 頁 Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis—a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the pleasures, moods, and interactive dimensions of a village bard's performance. Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by linguist David Magier, supply A Carnival of Parting with a full range of ethnographic, historical, and cultural backgrounds. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him. The tales are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights their thematic emphases on politics, love, and death. Madhu Nath's vital colloquial telling of Gopi Chand and Bharthari's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting." |
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第 1 到 5 筆結果,共 52 筆
第 xiv 頁
... themes between the two epics . I annotate the texts themselves on two premises . Primarily , whenever I sense that a non - Rajasthani audience needs additional information to understand a reference ( be it mythological , xiv Preface.
... themes between the two epics . I annotate the texts themselves on two premises . Primarily , whenever I sense that a non - Rajasthani audience needs additional information to understand a reference ( be it mythological , xiv Preface.
第 xvi 頁
... audience ; drawn into the story , they want to know what happens next . During the year that I was typing out a rough translation of Gopi Chand's tale , I retold it every few evenings to my five - year - old son ; he would beg to hear ...
... audience ; drawn into the story , they want to know what happens next . During the year that I was typing out a rough translation of Gopi Chand's tale , I retold it every few evenings to my five - year - old son ; he would beg to hear ...
第 xx 頁
... audience members , that characterize the performance of an explanation . These consist almost always of a monosyllabic " Yes ” or " Ah ! " or repetitions of a word the bard has just used . If , however , an audience comment does ...
... audience members , that characterize the performance of an explanation . These consist almost always of a monosyllabic " Yes ” or " Ah ! " or repetitions of a word the bard has just used . If , however , an audience comment does ...
第 9 頁
... audience to tears . His performance alternates regularly between segments of sung lines , accompanied by music which he plays himself on the sarangi — a simple stringed instru- ment played with a bow — and a prose " explanation ...
... audience to tears . His performance alternates regularly between segments of sung lines , accompanied by music which he plays himself on the sarangi — a simple stringed instru- ment played with a bow — and a prose " explanation ...
第 14 頁
... audience sustain this dynamic during individual performances . Before doing so , however , I wish to suggest some broader contextual factors that contribute to these occasions but are more diffuse and difficult to pinpoint . Rajasthan's ...
... audience sustain this dynamic during individual performances . Before doing so , however , I wish to suggest some broader contextual factors that contribute to these occasions but are more diffuse and difficult to pinpoint . Rajasthan's ...
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alms ashes audience Behri Yogin Bengal Bharthari and Gopi Bharthari Panvar Bhartrihari birth-giver Brahmans brother burned campfire caste Champa Chand and Bharthari Chapala Garden Charpat Nath crying hard darling boy Dhara Nagar dialect donkey ears epic feast fourteen hundred disciples Gandaraph gave Ghatiyali give Gold Gopi Chand Gorakh Baba Gorakh Nath Gorakh Nathji Sovereign Grain-giver Gujarati Guru Sovereign guru's hashish Hindi Honored King hundred slave girls husband immortal India jalebis Jalindar Baba Jalindar Nath jungle Kanni Kanni Pavji kill King Bharthari kingdom lady magicians Lord Shankar Machhindar Nath Madhu Nath's Manavati Mata Manavati Mother Marwari māyā Nath and Paras Nim Nath Pachyo Potter palace Paras Nath performance play portal Queen Pingala Rajasthani realize renouncers Royal Servants Sanskrit satī seven hundred Shiva sister sister-fucker sixteen hundred slave sluts soon tale tapas tibhu tongs translation Ujjain village women yoga yogi