 | 1798 - 756 頁
...awaken in him, in fomc roeafure, correfpondent fenfations, and make him feel a degree of that enthufiafm with which the painter was carried away. To this we...complete uniformity in all the parts of the work, fo that the vhole feems to be conduced, and grow out of one mind ; every thing is of a piece, and fits... | |
 | 1798 - 752 頁
...in him, in Гоше meafure, correfpondent fenfations, and make him feel a degree of that ehthufiafm with which the painter was carried away. To this we...complete uniformity in all the parts of the work, fo that the whole feems to be conducted, and grow out of one mind ; every thing is of a piece, and... | |
 | 1798 - 484 頁
...awaken in him, in feme mealiire, correipondent ienfations, and make him feel a degree of that enthufiafm with which the Painter was carried away. To this we...add the complete uniformity in all the parts of the \voik, Ib that the whole feems to be conducted, and grow of the canvas on which they are to be out... | |
 | 1798 - 554 頁
...contrary, feem to flow with a freedom and prodigality, as if tHffy tort him r.othirg j and to the gcthe Painter was carried away. To this we may add the complete uniformity in all the parts of the work, fo that th« whole ieems to be conducted, and grow cut of one mind ; tvsry thing is of a piece, and... | |
 | 1800 - 812 頁
...awaken in him, in fome meafure, correfpondent fcnfations, and make him feel a degree of that enthirfiafm with which the painter was carried away. To this we...complete uniformity in all the parts of the work, fo that the whole ff.ems lo be conducted and grow out of one mind ; every thing fc of a piece, and... | |
 | 1807 - 800 頁
...awaken in him, in fome menfure, correspondent fenfations, and make him feel a degree of that enthufiafm with which the painter was carried away. To this we...complete uniformity in all the parts of the work, fo that the whole fecms to be conducted and grow out of one mind ; everything is of a piece, and fits... | |
 | 1807 - 454 頁
...every object is touched, keep alive the attention of the spectator ; awaken in him, in some measure, correspondent sensations, and make him feel a degree of that enthusiasm with which the painter is hurried away. To this we may add, the complete uniformity in all the parts of the work ; so that... | |
 | Alexander Chalmers - 1816 - 538 頁
...contribute to awaken and keep alive the- attention of the spectator; awaken in him, in some measure, correspondent sensations, and make him feel a degree...with which the painter was carried away. To this we add the complete uniformity in all the parts of the work, so that the whole seems to be conducted,... | |
 | 1816 - 536 頁
...contribute to awaken and keep alive the attention of the spectator; awaken in him, in some measure, correspondent sensations, and make him feel a degree...with which the painter was carried away. To this we add the complete uniformity in all the parts of the work, so that the whole seems to be conducted,... | |
 | Alexander Chalmers - 1816 - 538 頁
...contribute to awaken and keep alive the attention of the spectator; awaken in him, in some measure, correspondent sensations, and make him feel a degree...enthusiasm with which the painter was carried away. Tp this we add the complete uniformity in all the parts of the work, so that th.e whole seems to he... | |
| |
The striking brilliancy of his colours, and their lively opposition to each other, the flowing liberty and freedom of his outline, the animated pencil, with which every object is touched, all contribute to awaken and keep alive the attention of the spectator... 
