Strange Power of Speech: Wordsworth, Coleridge, and Literary PossessionOxford University Press, 1992年2月27日 - 302 頁 This book explores the relationship between tropes of literary property and signification in the writings and literary politics of Wordsworth and Coleridge. Eilenberg argues that a complex of ideas about property, propriety, and possession sets the terms for the two writers' mutually revisionary efforts and informs the images of literary authority, textual identity, and poetic figuration evident in their major works. Eilenberg's readings of the collaboration and its principle texts bring to bear a combination of deconstructive, psychoanalytic, and both new and literary historical methods. The book provides a deeper understanding of the relationship between two of the major figures of English Romanticism as well as fresh insight into what is at stake in the analogy between the verbal and the material or the literary and the economic. |
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第 1 到 5 筆結果,共 54 筆
第 xii 頁
... speak not in rational alternation, or even in irrational alternation, but at once, even through one another's words; so that, listening to them, we cannot always be sure how many voices we are hearing. Thomas McFarland's symbiotic model ...
... speak not in rational alternation, or even in irrational alternation, but at once, even through one another's words; so that, listening to them, we cannot always be sure how many voices we are hearing. Thomas McFarland's symbiotic model ...
第 xiii 頁
... speak of displacement and repression, and they regard their task as that of recovering the objects of this repression. For the new historicists, this means recovering not only social and economic relations but also the purpose and ...
... speak of displacement and repression, and they regard their task as that of recovering the objects of this repression. For the new historicists, this means recovering not only social and economic relations but also the purpose and ...
第 xiv 頁
... speaking subject. It is impossible not to admire much that the materialist critics have accomplished and not to appreciate the freshness and light they have brought to their analyses of romantic poetry. I cannot, however, bring myself ...
... speaking subject. It is impossible not to admire much that the materialist critics have accomplished and not to appreciate the freshness and light they have brought to their analyses of romantic poetry. I cannot, however, bring myself ...
第 7 頁
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第 8 頁
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常見字詞
Ancient Mariner anonymous appear appropriation arbitrary attempt authority become Biographia Literaria character Christabel coin Cole Coleridge's consciousness critics dead death Dorothy Dorothy Wordsworth edited Ernest De Selincourt Essays feel figure Geoffrey Hartman Geraldine Hartman human Ibid identity imagination imitation impropriety inscription interpretation Joanna landscape language letter literal Lucy poems Lucy’s Lyrical Ballads M. H. Abrams Mariner's material matter meaning Michael mind Naming of Places narrative nature object one’s original Oxford University Press passion perhaps place-naming poems plagiarism poem's poem’s poet poet's poet’s poetic possession Preface Prelude problem propriety reader relationship representation Rime Romantic Salisbury Plain Samuel Taylor Coleridge Schelling seems sense ship speak speech spirit stanzas STCL Stephen Parrish stones story style suggests tale tells things thought Tintern Abbey uncanny ventriloquism voice volume Wedding Guest William Wordsworth words Wordsworth and Coleridge Wordsworth's poetry worth writing