Strange Power of Speech: Wordsworth, Coleridge, and Literary PossessionOxford University Press, 1992年2月27日 - 302 頁 This book explores the relationship between tropes of literary property and signification in the writings and literary politics of Wordsworth and Coleridge. Eilenberg argues that a complex of ideas about property, propriety, and possession sets the terms for the two writers' mutually revisionary efforts and informs the images of literary authority, textual identity, and poetic figuration evident in their major works. Eilenberg's readings of the collaboration and its principle texts bring to bear a combination of deconstructive, psychoanalytic, and both new and literary historical methods. The book provides a deeper understanding of the relationship between two of the major figures of English Romanticism as well as fresh insight into what is at stake in the analogy between the verbal and the material or the literary and the economic. |
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第 ix 頁
... authority, textual identity, and poetic figuration to be found in much of the two writers' major work. During the period of their closest collaboration as well as at points later in their careers, Wordsworth and Coleridge took as their ...
... authority, textual identity, and poetic figuration to be found in much of the two writers' major work. During the period of their closest collaboration as well as at points later in their careers, Wordsworth and Coleridge took as their ...
第 x 頁
... by aggressive designs upon the other and upon the reader, I am hesitant to accept either entirely at its word and grant it interpretive authority over the joint work. So although Wordsworth's writing, with its appeal to historical X ...
... by aggressive designs upon the other and upon the reader, I am hesitant to accept either entirely at its word and grant it interpretive authority over the joint work. So although Wordsworth's writing, with its appeal to historical X ...
第 xi 頁
... authority to dictate the method of its own interpretation) is entirely suited to read the poems in their most immediate context: the structure and composition of the Lyrical Ballads. Moreover, if I am right in supposing that both ...
... authority to dictate the method of its own interpretation) is entirely suited to read the poems in their most immediate context: the structure and composition of the Lyrical Ballads. Moreover, if I am right in supposing that both ...
第 xv 頁
... authority, naming, and signification. The second part of the book is concerned with showing the development of these attitudes later in the poets' lives, after their friendship and collaboration had ended. The subjects of this section ...
... authority, naming, and signification. The second part of the book is concerned with showing the development of these attitudes later in the poets' lives, after their friendship and collaboration had ended. The subjects of this section ...
第 6 頁
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常見字詞
Ancient Mariner anonymous appear appropriation arbitrary attempt authority become Biographia Literaria character Christabel coin Cole Coleridge's consciousness critics dead death Dorothy Dorothy Wordsworth edited Ernest De Selincourt Essays feel figure Geoffrey Hartman Geraldine Hartman human Ibid identity imagination imitation impropriety inscription interpretation Joanna landscape language letter literal Lucy poems Lucy’s Lyrical Ballads M. H. Abrams Mariner's material matter meaning Michael mind Naming of Places narrative nature object one’s original Oxford University Press passion perhaps place-naming poems plagiarism poem's poem’s poet poet's poet’s poetic possession Preface Prelude problem propriety reader relationship representation Rime Romantic Salisbury Plain Samuel Taylor Coleridge Schelling seems sense ship speak speech spirit stanzas STCL Stephen Parrish stones story style suggests tale tells things thought Tintern Abbey uncanny ventriloquism voice volume Wedding Guest William Wordsworth words Wordsworth and Coleridge Wordsworth's poetry worth writing