Languages of Visuality: Crossings Between Science, Art, Politics, and LiteratureBeate Allert Wayne State University Press, 1996 - 270 頁 Addressing the textualisation of images and visualisation of texts, this work explores the borders of the visual and languages of visuality. Aesthetic, scientific and political implications of the discourse of clarity in various scope regimes, as reflected in modern culture, are documented. |
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Acéphale aesthetic allegory Aristotle artistic becomes Benjamin Berehov body camera obscura Cartesian Castel Chirico chthonic cognitive colors concept context critical culture Degenerate Art detective fiction diegesis Diotima discourse dream Emerson epistemological essay figure film Foucault ganzfeld gaze German globular Goethe Goethe's Heinrich von Ofterdingen Hölderlin's human Hyperion imagination interpretation Klee Klee's languages of visuality light literary literature meaning Melville metaphor mimesis mirror mode modern myth narcissistic narrative narrator narrator's nature notion Novalis Novalis's novel object observation optical orbit painting Palazzeschi pantheism Paul Klee perceived philosophy physical Pierre Plato poem poetic poetry political reader reading realist reality reference reflection relation representation represents romantic Sacred Fount scopic regimes semiotic sense signifier signs social sound textual theory tion tones Trans transcendental translation transparent universal vision visual language visual perception Wagner wall words writing York