Characters of Shakespeare's PlaysC. Templeman, 1838 - 345 頁 |
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第 1 到 5 筆結果,共 34 筆
第 1 頁
... story are thrown into the form of a dialogue , and the intermediate circumstances are explained by the different speakers , as occasion renders it necessary . The action is less concentrated in consequence ; but the interest becomes ...
... story are thrown into the form of a dialogue , and the intermediate circumstances are explained by the different speakers , as occasion renders it necessary . The action is less concentrated in consequence ; but the interest becomes ...
第 2 頁
... story moves forward with increas- ing rapidity at every step ; its various ramifica- tions are drawn from the most distant points to the same centre ; the principal characters are brought together , and placed in very critical ...
... story moves forward with increas- ing rapidity at every step ; its various ramifica- tions are drawn from the most distant points to the same centre ; the principal characters are brought together , and placed in very critical ...
第 9 頁
... story , tending to the same point . The effect of this coincidence is rather felt than observed ; and as the impression exists uncon- sciously in the mind of the reader , so it probably arose in the same manner in the mind of the ...
... story , tending to the same point . The effect of this coincidence is rather felt than observed ; and as the impression exists uncon- sciously in the mind of the reader , so it probably arose in the same manner in the mind of the ...
第 10 頁
... story , and with the scenes in which they are afterwards called on to act . How admirably the youthful fire and impatience to emerge from their obscurity in the young princes is opposed to the cooler cal- culations and prudent ...
... story , and with the scenes in which they are afterwards called on to act . How admirably the youthful fire and impatience to emerge from their obscurity in the young princes is opposed to the cooler cal- culations and prudent ...
第 44 頁
... story . What a contrast the character of Othello forms to that of Iago : at the same time , the force of conception with which these two figures are opposed to each other is rendered still more intense by the complete consistency with ...
... story . What a contrast the character of Othello forms to that of Iago : at the same time , the force of conception with which these two figures are opposed to each other is rendered still more intense by the complete consistency with ...
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常見字詞
admirable affections Antony Apemantus appear Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic Cordelia Coriolanus critic CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic excited eyes Falstaff fancy fear feeling fool fortune genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour human Iago imagination Juliet king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony mind moral nature never night noble Othello passages passion PERDITA person pity play pleasure poet poetry prince racter refined revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's sion SIR TOBY sleep soul speak speech spirit stage story sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto wife words Yorkshire Tragedy youth