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A thousand lamentable objects there,
In scorn of nature, art gave lifeless life:
Many a dry drop seemed a weeping tear,
Shed for the slaughtered husband by the wife:
The red blood reeked to shew the painter's strife;
And dying eyes gleamed forth their ashy lights,
Like dying coals burnt out in tedious nights.

There might you see the labouring pioneer
Begrimed with sweat and smeared all with dust;
And from the towers of Troy there would appear
The very eyes of men through loop-holes thrust,
Gazing upon the Greeks with little lust:
Such sweet observance in this work was had,
That one might see those far-off eyes look sad.

In great commanders grace and majesty
You might behold, triumphing in their faces;
In youth, quick bearing and dexterity;
And here and there the painter interlaces
Pale cowards, marching on with trembling paces;
Which heartless peasants did so well resemble,
That one would swear he saw them quake and tremble.

In Ajax and Ulysses, O, what art
Of physiognomy might one behold!
The face of either 'ciphered either's heart;
Their face their manners most expressly told:
In Ajax' eyes blunt rage and rigour rolled;
But the mild glance that sly Ulysses lent,
Shewed deep regard and smiling government.

There pleading might you see grave Nestor stand,
As 't were encouraging the Greeks to fight;
Making such sober action with his hand
That it beguiled attention, charmed the sight:
In speech it seemed, his beard, all silver white,
Wagged up and down, and from his lips did fly
Thin winding breath which purled up to the sky.

About him were a press of gaping faces,
Which seemed to swallow up his sound advice;
All jointly list'ning, but with several graces,
As if some mermaid did their ears entice;
Some high, some low; the painter was so nice,
The scalps of many almost hid behind,
To jump up higher seemed, to mock the mind.

Here one man's hand leaned on another's head,
His nose being shadowed by his neighbour's ear;
Here one, being thronged, bears back, all bol'n and red;
Another, smothered, seems to pelt and swear;
And in their rage such signs of rage they bear,
As, but for loss of Nestor's golden words,
It seemed they would debate with angry swords.

For much imaginary work was there;
Conceit deceitful, so compact, so kind,
That for Achilles' image stood his spear,
Griped in an arméd hand; himself, behind,
Was left unseen, save to the eye of mind:
A hand, a foot, a face, a leg, a head,
Stood for the whole to be imaginéd.

And from the walls of strong-besieged Troy
When their brave hope, bold Hector, marched to field,
Stood many Trojan mothers, sharing joy

To see their youthful sons bright weapons wield;
And to their hope they such odd action yield,
That, through their light joy, seemed to appear
(Like bright things stained) a kind of heavy fear.
And from the strond of Dardan, where they fought,
To Simois' reedy banks the red blood ran,
Whose waves to imitate the battle sought
With swelling ridges; and their ranks began
To break upon the galléd shore, and than
Retire again, till meeting greater ranks
They join, and shoot their foam at Simois' banks.

To this well-painted piece is Lucrece come,
To find a face where all distress is stelled.
Many she sees where cares have carvéd some,
But none where all distress and dolour dwelled,
Till she despairing Hecuba beheld,
Staring on Priam's wounds with her old eyes,
Which bleeding under Pyrrhus' proud foot lies.

In her the painter had anatomised

Time's ruin, beauty's wreck, and grim care's reign;
Her cheeks with chaps and wrinkles were disguised;
Of what she was no semblance did remain :
Her blue blood changed to black in every vein,
Wanting the spring that those shrunk pipes had fed,
Shewed life imprisoned in a body dead.

On this sad shadow Lucrece spends her eyes,
And shapes her sorrow to the beldame's woes,
Who nothing wants to answer her but cries,
And bitter words, to ban her cruel foes:
The painter was no god to lend her those;
And therefore Lucrece swears he did her wrong,
To give her so much grief, and not a tongue.

"Poor instrument," quoth she, "without a sound,
I'll tune thy woes with my lamenting tongue :
And drop sweet balm in Priam's painted wound,
And rail on Pyrrhus that hath done him wrong,
And with my tears quench Troy that burns so long;
And with my knife scratch out the angry eyes
Of all the Greeks that are thine enemies.

"Shew me the strumpet that began this stir,
That with my nails her beauty I may tear.
Thy heat of lust, fond Paris, did incur
This load of wrath that burning Troy doth bear;
Thy eye kindled the fire that burneth here:
And here in Troy, for trespass of thine eye,
The sire, the son, the dame, and daughter, die.

'Why should the private pleasure of some one
Become the public plague of many mo?
Let sin, alone committed, light alone
Upon his head that hath transgressed so;
Let guiltless souls be freed from guilty woe:
For one's offence why should so many fall,
To plague a private sin in general?

"Lo! here weeps Hecuba, here Priam dies,

Here manly Hector faints, here Troilus swounds;
Here friend by friend in bloody channel lies,
And friend to friend gives unadvised wounds,
And one man's lust these many lives confounds:
Had doting Priam checked his son's desire,
Troy had been bright with fame, and not with fire."

Here feelingly she weeps Troy's painted woes:
For sorrow, like a heavy-hanging bell
Once set on ringing, with his own weight goes;
Then little strength rings out the doleful knell;
So Lucrece set a-work, sad tales doth tell:
To penciled pensiveness and coloured sorrow;
She lends them words, and she their looks doth borrow.

She throws her eyes about the painting, round,
And whom she finds forlorn she doth lament:
At last she sees a wretched image bound,
That piteous looks to Phrygian shepherds lent;
His face, though full of cares, yet shewed content.
Onward to Troy with the blunt swains he goes,
So mild, that Patience seemed to scorn his woes.

In him the painter laboured with his skill
To hide deceit and give the harmless show,
An humble gait, calm looks, eyes wailing still,
A brow unbent that seemed to welcome woe;
Cheeks, neither red nor pale, but mingled so
That blushing red no guilty instance gave,
Nor ashy pale the fear that false hearts have.

But, like a constant and confirmed devil,
He entertained a show so seeming just,
And therein so ensconced his secret evil,
That jealousy itself could not mistrust,
False-creeping craft and perjury should thrust
Into so bright a day such black-faced storms,
Or blot with hell-born sin such saint-like forms.

The well-skilled workman this mild image drew
For perjured Sinon, whose enchanting story
The credulous old Priam after slew;
Whose words, like wild-fire, burnt the shining glory
Of rich-built Ilion, that the skies were sorry,
And little stars shot from their fixed places,
When their glass fell wherein they viewed their faces.

This picture she advisedly perused,

And chid the painter for his wond'rous skill;
Saying, some shape in Sinon's was abused,
So fair a form lodged not a mind so ill;
And still on him she gazed; and gazing still,
Such signs of truth in his plain face she spyed,
That she concludes the picture was belied.

"It cannot be," quoth she, "that so much guile❞—
She would have said, "can lurk in such a look;"
But Tarquin's shape came in her mind the while,
And from her tongue "can lurk" from "cannot" took;
"It cannot be" she in that sense forsook,
And turned it thus: "It cannot be, I find,
But such a face should bear a wicked mind:

"For even as subtle Sinon here is painted,
So sober-sad, so weary, and so mild
(As if with grief or travail he had fainted),
To me came Tarquin armed; so beguiled
With outward honesty, but yet defiled
With inward vice: as Priam him did cherish,
So did I Tarquin; so my Troy did perish.

"Look, look, how listening Priam wets his eyes,
To see those borrowed tears that Sinon sheds.
Priam, why art thou old, and yet not wise?
For every tear he falls, a Trojan bleeds;
His eye drops fire, no water thence proceeds:
Those round clear pearls of his, that move thy pity,
Are balls of quenchless fire to burn thy city.
"Such devils steal effects from lightless hell;
For Sinon in his fire doth quake with cold,
And in that cold, hot-burning fire doth dwell;
These contraries such unity do hold,

Only to flatter fools, and make them bold:
So Priam's trust false Sinon's tears doth flatter,
That he finds means to burn his Troy with water."

Here, all enraged, such passion her assails,
That patience is quite beaten from her breast.
She tears the senseless Sinon with her nails,
Comparing him to that unhappy guest,
Whose deed hath made herself herself detest:
At last she smilingly with this gives o'er;

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Fool! fool!"quoth she," his wounds will not be sore."

Thus ebbs and flows the current of her sorrow,
And time doth weary time with her complaining.
She looks for night, and then she longs for morrow,
And both she thinks too long with her remaining:
Short time seems long in sorrow's sharp sustaining.
Though woe be heavy yet it seldom sleeps ;
And they that watch see time how slow it creeps.
Which all this time. hath overslipped her thought,
That she with painted images hath spent ;
Being from the feeling of her own grief brought
By deep surmise of others detriment;
Losing her woes in shows of discontent.
It easeth some, though none it ever cured,
To think their dolour others have endured.

But now the mindful messenger, come back,
Brings home his lord and other company;
Who finds his Lucrece clad in mourning black:
And round about her tear-distrainéd eye
Blue circles streamed, like rainbows in the sky;
These water-galls in her dim element
Foretel new storms to those already spent.

Which when her sad-beholding husband saw,
Amazedly in her sad face he stares:

Her eyes, though sod in tears, looked red and raw,
Her lively colour killed with deadly cares.
He hath no power to ask her how she fares;
But stood, like old acquaintance in a trance
Met far from home, wondering each other's chance.

O deeper sin than bottomless conceit
Can comprehend in still imagination!
Drunken Desire must vomit his receipt,
Ere he can see his own abomination.
While lust is in his pride no exclamation
Can curb his heat or rein his rash desire,
Till, like a jade, self-will himself doth tire.

And then with lank and lean discoloured cheek,
With heavy eye, knit brow, and strengthless pace,
Feeble Desire, all recreant, poor, and meek,
Like to a bankrupt beggar wails his case:
The flesh being proud, Desire doth fight with grace,
For there it revels; and when that decays,
The guilty rebel for remission prays.

So fares it with this faultful lord of Rome,
Who this accomplishment so hotly chased;
For now against himself he sounds this doom,—
That through the length of times he stands disgraced:
Besides, his soul's fair temple is defaced;
To whose weak ruins muster troops of cares,
To ask the spotted princess how she fares.

She says her subjects with foul insurrection
Have battered down her consecrated wall,
And by their mortal fault brought in subjection
Her immortality, and made her thrall
To living-death and pain perpetual:
Which in her prescience she controlled still
But her fore-sight could not fore-stall their will.

Even in this thought through the dark night he stealeth,
A captive victor that hath lost in gain;
Bearing away the wound that nothing healeth,
The scar that will, despite of cure, remain;
Leaving his spoil perplexed in greater pain.
She bears the load of lust he left behind,
And he the burden of a guilty mind.

He, like a thievish dog, creeps sadly thence,
She like a wearied lamb lies panting there;
He scowls, and hates himself for his offence,
She desperate, with her nails her flesh doth tear;
He faintly flies, sweating with guilty fear;
She stays, exclaiming on the direful night;
He runs, and chides his vanished loathed delight.

He thence departs a heavy convertite,
She there remains a hopeless cast-away:
He in his speed looks for the morning light,
She prays she never may behold the day:
"For day," quoth she, "night's scapes doth open lay;
And my true eyes have never practised how
To cloke offences with a cunning brow.

"They think not but that every eye can see
The same disgrace which they themselves behold;
And therefore would they still in darkness be,
To have their unseen sin remain untold;
For they their guilt with weeping will unfold,
And grave, like water that doth eat in steel,
Upon my cheeks what helpless shame I feel."

Here she exclaims against repose and rest,
And bids her eyes hereafter still be blind.
She wakes her heart by beating on her breast
And bids it leap from thence, where it may find
Some purer chest to close so pure a mind.
Frantic with grief thus breathes she forth her spite
Against the unseen secrecy of night.

"O comfort-killing night, image of hell!
Dim register and notary of shame!
Black stage for tragedies and murders fell!
Vast sin-concealing chaos! nurse of blame!
Blind muffled bawd! dark harbour for defame!
Grim cave of death! whispering conspirator
With close-tongued treason and the ravisher!
"O hateful, vaporous, and foggy night,
Since thou art guilty of my cureless crime,
Muster thy mists to meet the eastern light,
Make war against proportioned course of time!
Or if thou wilt permit the sun to climb
His wonted height, yet ere he go to bed,
Knit poisonous clouds about his golden head.

"With rotten damps ravish the morning air;
Let their exhaled unwholesome breaths make sick
The life of purity, the supreme fair,
Ere he arrive his weary noon-tide prick;
And let thy misty vapours march so thick,
That in their smoky ranks his smothered light
May set at noon and make perpetual night.
"Were Tarquin night (as he is but night's child),
The silver-shining queen he would distain;
Her twinkling handmaids too, by him defiled,
Through night's black bosom should not peep again;
So should I have co-partners in my pain:
And fellowship in woe doth woe assuage,
As palmers' chat make short their pilgrimage.
"Where now I have no one to blush with me,
To cross their arms and hang their heads with mine,
To mask their brows and hide their infamy;
But I alone, alone must sit and pine,
Seasoning the earth with showers of silver brine;
Mingling my walk with tears, my grief with groans,
Poor wasting monuments of lasting moans.

"O night, thou furnace of foul-reeking smoke,
Let not the jealous day behold that face
Which underneath thy black all-hiding cloak
Immodestly lies martyred with disgrace!
Keep still possession of thy gloomy place,
That all the faults which in thy reign are made
May likewise be sepulchred in thy shade!

"Make me not object to the tell-tale day!
The light will shew, charáctered in my brow,
The story of sweet chastity's decay,
The impious breach of holy wedlock vow:
Yea, the illiterate, that know not how
To 'cipher what is writ in learned books,
Will quote my loathsome trespass in my looks.

"The nurse to still her child will tell my story, And fright her crying babe with Tarquin's name; The orator to deck his oratory

Will couple my reproach to Tarquin's shame :
Feast-finding minstrels, tuning my defame,
Will tie the hearers to attend each line,
How Tarquin wrongéd me, I Collatine.

"Let my good name, that senseless reputation,
For Collatine's dear love be kept unspotted:
If that be made a theme for disputation,
The branches of another root are rotted;
And undeserved reproach to him allotted
That is as clear from this attaint of mine
As I, ere this, was pure to Collatine.

"O unseen shame! invisible disgrace!
O unfelt sore; crest-wounding, private scar!
Reproach is stamped in Collatinus' face,
And Tarquin's eye may read the mot afar,
'How he in peace is wounded, not in war.'
Alas, how many bear such shameful blows,

Which not themselves, but he that gives them, knows!

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If, Collatine, thine honour lay in me,
From me by strong assault it is bereft.
My honey lost, and I, a drone-like bee,
Have no perfection of my summer left,
But robbed and ransacked by injurious theft:
In thy weak hive a wandering wasp hath crept,
And sucked the honey which thy chaste bee kept.

"Yet am I guiltless of thy honour's wreck;
Yet for thy honour did I entertain him;
Coming from thee, I could not put him back,
For it had been dishonour to disdain him:
Besides, of weariness he did complain him,
And talked of virtue :-O, unlooked-for evil,
When virtue is profaned in such a devil!

"Why should the worm intrude the maiden bud?
Or hateful cuckoos hatch in sparrows' nests?
Or toads infect fair founts with venom mud?
Or tyrant folly lurk in gentle breasts?
Or kings be breakers of their own behests?
But no perfection is so absolute,
That some impurity doth not pollute.

"The aged man that coffers up his gold,

Is plagued with cramps, and gouts, and painful fits;
And scarce hath eyes his treasure to behold,

But like still-pining Tantalus he sits,
And useless barns the harvest of his wits;
Having no other pleasure of his gain,
But torment that it cannot cure his pain.

"So then he hath it when he cannot use it,
And leaves it to be mastered by his young;
Who in their pride do presently abuse it:
Their father was too weak and they too strong
To hold their curséd-blesséd fortune long.
The sweets we wish for turn to loathéd sours,
Even in the moment that we call them ours.

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'Unruly blasts wait on the tender spring;
Unwholesome weeds take root with precious flowers;
The adder hisses where the sweet birds sing;
What virtue breeds, iniquity devours:
We have no good that we can say is ours,
But ill annexed Opportunity

Or kills his life or else his quality.

"O, Opportunity! thy guilt is great:
'Tis thou that execut'st the traitor's treason;
Thou set'st the wolf where he the lamb may get;
Whoever plots the sin, thou point'st the season;
'Tis thou that spurn'st at right, at law, at reason;
And in thy shady cell, where none may spy him,
Sits Sin to seize the souls that wander by him.
"Thou mak'st the vestal violate her oath :
Thou blow'st the fire when temperance is thawed;
Thou smother'st honesty, thou murder'st troth;
Thou foul abettor! thou notorious bawd!
Thou plantest scandal and displacest laud:
Thou ravisher, thou traitor, thou false thief,
Thy honey turns to gall, thy joy to grief!

"Thy secret pleasure turns to open shame,
Thy private feasting to a public fast;
Thy smoothing titles to a ragged name;
Thy sugared tongue to bitter wormwood taste:
Thy violent vanities can never last.
How comes it, then, vile Opportunity,
Being so bad, such numbers seek for thee?
"When wilt thou be the humble suppliant's friend,
And bring him where his suit may be obtained?
When wilt thou sort an hour great strifes to end?
Or free that soul which wretchedness hath chained?
Give physic to the sick, ease to the pained?
The poor, lame, blind, halt-creep, cry out for thee,
But they ne'er meet with Opportunity.

"The patient dies while the physician sleeps;
The orphan pines while the oppressor feeds;
Justice is feasting while the widow weeps;
Advice is sporting while infection breeds;
Thou grant'st no time for charitable deeds:
Wrath, envy, treason, rape, and murder's rages,
Thy heinous hours wait on them as their pages.

"When Truth and Virtue have to do with thee,
A thousand crosses keep them from thy aid;
They buy thy help; but Sin ne'er gives a fee;
He gratis comes; and thou art well appayed,
As well to hear as grant what he hath said.
My Collatine would else have come to me
When Tarquin did, but he was stayed by thee.

"Guilty thou art of murder and of theft;
Guilty of perjury and subornation;
Guilty of treason, forgery, and shift;
Guilty of incest, that abomination :
An accessary by thine inclination
To all sins past and all that are to come,
From the Creation to the general doom.

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Why hath thy servant, Opportunity,
Betrayed the hours thou gav'st me to repose?
Cancelled my fortunes, and enchainéd me
To endless date of never-ending woes?
Time's office is to fine the hate of foes;
To eat up errors by opinion bred,
Not spend the dowry of a lawful bed.

"Time's glory is to calm contending kings,
To unmask falsehood and bring truth to light,
To stamp the seal of time in agéd things,
To wake the morn and sentinel the night,
To wrong the wronger till he render right;
To ruinate proud buildings with thy hours,

And smear with dust their glittering golden towers:

"To fill with worm-holes stately monuments,
To feed oblivion with decay of things,
To blot old books and alter their contents,
To pluck the quills from ancient ravens' wings;
To dry the old oak's sap, and cherish springs;
To spoil antiquities of hammered steel,
And turn the giddy round of fortune's wheel:
"To shew the beldame daughters of her daughter,
To make the child a man, the man a child,
To slay the tiger that doth live by slaughter,
To tame the unicorn and lion wild;
To mock the subtle, in themselves beguiled;
To cheer the ploughman with increaseful crops,
And waste huge stones with little water-drops.

Why work'st thou mischief in thy pilgrimage,
Unless thou couldst return to make amends?
One poor retiring minute in an age
Would purchase thee a thousand thousand friends,
Lending him wit that to bad debtors lends :

O, this dread night, wouldst thou one hour come back, I could prevent this storm and shun thy wrack!

"Thou ceaseless lackey to eternity,
With some mischance cross Tarquin in his flight:
Devise extremes beyond extremity,

To make him curse this curséd crimeful night:
Let ghastly shadows his lewd eyes affright;
And the dire thought of his committed evil
Shape every bush a hideous shapeless devil.
"Disturb his hours of rest with restless trances,
Afflict him in his bed with bedrid groans;
Let there bechance him pitiful mischances
To make him moan, but pity not his moans;
Stone him with hardened hearts, harder than stones;
And let mild women to him lose their mildness,
Wilder to him than tigers in their wildness.

"Let him have time to tear his curled hair,
Let him have time against himself to rave,
Let him have time of Time's help to despair,
Let him have time to live a loathed slave,
Let him have time a beggar's orts to crave;
And time to see one that by alms doth live,
Disdain to him disdainéd scraps to give.

"Let him have time to see his friends his foes,
And merry fools to mock at him resort:
Let him have time to mark how slow time goes
In time of sorrow, and how swift and short
His time of folly and his time of sport:
And ever let his unrecalling crime
Have time to wail the abusing of his time.

"O Time, thou tutor both to good and bad,
Teach me to curse him that thou taught'st this ill!
At his own shadow let the thief run mad,
Himself himself seek every hour to kill!
Such wretched hands such wretched blood should spill!
For who so base would such an office have
As slanderous death's-man to so base a slave?
"The baser is he, coming from a king,
To shame his hope with deeds degenerate.
The mightier man, the mightier is the thing
That makes him honoured or begets him hate;
For greatest scandal waits on greatest state.
The moon being clouded presently is missed,
But little stars may hide them when they list.
"The crow may bathe his coal-black wings in mire,
And unperceived fly with the filth away;
But if the like the snow-white swan desire,
The stain upon his silver down will stay.

Poor grooms are sightless night, kings glorious day.
Gnats are unnoted wheresoe'er they fly,
But eagles gazed upon with every eye.

“Out, idle words, servants to shallow fools!
Unprofitable sounds, weak arbitrators!
Busy yourselves in skill-contending schools;
Debate where leisure serves with dull debaters;
To trembling clients be you mediators:
For me, I force not argument a straw,
Since that my case is past the help of law.

"In vain I rail at opportunity,

At time, at Tarquin, and uncheerful night;
In vain I cavil with mine infamy,

In vain I spurn at my confirmed despite :
This helpless smoke of words doth me no right.
The remedy indeed to do me good,

Is to let forth my foul, defiléd blood.

"Poor hand, why quiver'st thou at this decree?
Honour thyself to rid me of this shame;
For if I die my honour lives in thee,
But if I live, thou liv'st in my defame;
Since thou couldst not defend thy loyal dame,
And wast afeared to scratch her wicked foe,
Kill both thyself and her for yielding so."—

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