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More pointed still we make ourselves
Regret, remorse, and shame;

And man,

whose heaven-erected face

The smiles of love adorn,

Man's inhumanity to man

Makes countless thousands mourn!

"See yonder poor, o'erlaboured wight,

So abject, mean, and vile,

Who begs a brother of the earth
To give him leave to toil;
And see his lordly fellow-worm
The poor petition spurn,
Unmindful, though a weeping wife
And helpless offspring mourn.

"If I'm designed yon lordling's slaveBy Nature's law designedWhy was an independent wish

E'er planted in my mind?

If not, why am I subject to
His cruelty or scorn?

Or why has man the will and power

To make his fellow mourn?

"Yet let not this too much, my son,

Disturb thy youthful breast;

This partial view of human-kind

Is surely not the last!

The

poor, oppressed, honest man,

Had never, sure, been born,

Had there not been some recompense
To comfort those that mourn!

"Oh, Death! the poor man's dearest friend-
The kindest and the best!
Welcome the hour, my aged limbs

Are laid with thee at rest!
The great, the wealthy, fear thy blow,
From pomp and pleasure torn!
But, oh a blest relief to those
That weary-laden mourn!"1

1 The metrical structure, and some other features of this poem, may be traced to an old stall-ballad, entitled the Life and Age of Man, which Mr. Cromek recovered, and which opens thus:

"Upon the sixteen hunder year

Of God and fifty-three,

Frae Christ was born, that bought us dear,

As writings testifie;

On January the sixteenth day,

As I did ly alone,

With many a sigh and sob did say,

Ah! man is made to moan."

THE COTTER'S SATURDAY NIGHT.

INSCRIBED TO ROBERT AIKEN, ESQ.1

"Let not ambition mock their useful toil,
Their homely joys and destiny obscure;
Nor grandeur hear, with a disdainful smile,

The short and simple annals of the poor."-GRAY.

Robert had begun, some time before his father's death, to take a part in the family devotions, reading "the chapter" and giving out the psalm. After the death of William Burness, it fell to the poet by right of ancient custom, he being the eldest born, to take on himself the whole function of the family-priest, and he conducted the cottage-worship every night when at home during the whole time of his residence at Mossgiel. More than this, his sister and another surviving member of the household speak in the warmest terms of the style of his prayers. The latter individual 2 states, that he has never since listened to anything equal to these addresses. These facts, it will be admitted, form an interesting prelude to the beautiful poem in which Burns has placed in everlasting remembrance this phase of the rustic life of Scotland. Gilbert Burns gives us an account of what immedi

1 Probably the first verse and inscription to Mr. Aiken were added afterwards.

2 Mr. William Ronald, now a farmer in the neighborhood of Beith, in Ayrshire (1854).

ately prompted his brother to compose this immortal work. "He had frequently," says Gilbert, "remarked to me that he thought there was something peculiarly venerable in the phrase 'Let us worship God,' used by a decent sober head of a family introducing family-worship. To this sentiment of the author the world is indebted for the Cotter's Saturday Night." It needs only further to be remarked, that the poet found a model in one of the best poems of his predecessor Fergusson, entitled The Farmer's Ingle.

My loved, my honoured, much-respected friend!

No mercenary bard his homage pays; With honest pride, I scorn each selfish end; My dearest meed, a friend's esteem and praise.

To you I sing, in simple Scottish lays, The lowly train in life's sequestered scene; The native feelings strong, the guileless

ways;

What Aiken in a cottage would have been: Ah! though his worth unknown, far happier there, I ween!

November chill blaws loud wi' angry

sugh;

noise

The short'ning winter-day is near a close; The miry beasts retreating frae the pleugh, The black'ning trains o' craws to their

repose:

The toil-worn cotter frae his labour goes, This night his weekly moil is at an end, Collects his spades, his mattocks, and his hoes,

Hoping the morn in ease and rest to spend, his course does

And weary, o'er the moor,

hameward bend.1

At length his lonely cot appears in view,
Beneath the shelter of an aged tree;
Th' expectant wee things, toddlin',

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His clean hearthstane, his thriftie wifie's smile, The lisping infant prattling on his knee, Does a' his weary kiaugh and care

beguile,

anxiety

And makes him quite forget his labour and his toil.

verse of The Farmer's Ingle bears a consid

1 The opening irable resemblance to this:

Whan gloamin' gray out-owre the welkin keeks,

Whan Bawtie ca's the owsen to the byre,

Whan Thrasher John, sair dung, his barn-door

steeks,

Whan lusty lasses at the dighting tire —

jaded

shute

winnowing

What bangs fu' leal the e'ening's coming cauld, beats-truly
And gars snaw-tappit winter freeze in vain,
Gars dowie mortals look baith blithe and bauld,

Nor fleyed wi' a' the puirtith o' the plain --
Begin, my Muse, and chant in hamely strain.”

makes

frightened

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