Modern English War Poetry

封面
OUP Oxford, 2006年7月20日 - 288 頁
Tim Kendall's study offers the fullest account to date of a tradition of modern English war poetry. Stretching from the Boer War to the present day, it focuses on many of the twentieth-century's finest poets - combatants and non-combatants alike - and considers how they address the ethical challenges of making art out of violence. Poetry, we are often told, makes nothing happen. But war makes poetry happen: the war poet cannot regret, and must exalt at, even the most appallingexperiences. Modern English War Poetry not only assesses the problematic relationship between war and its poets, it also encourages an urgent reconsideration of the modern poetry canon and the (too often marginalised) position of war poetry within it. The aesthetic and ethical values on which canonicaljudgements have been based are carefully scrutinized via a detailed analysis of individual poets. The poets discussed include Thomas Hardy, Rudyard Kipling, Wilfred Owen, Charlotte Mew, Edward Thomas, Ivor Gurney, W. H. Auden, Keith Douglas, Ted Hughes, and Geoffrey Hill.

搜尋書籍內容

內容

Introduction
1
Thomas Hardys Witness
5
Rudyard Kiplings Dress Parade
26
著作權所有

12 個其他區段未顯示

其他版本 - 查看全部

常見字詞

關於作者 (2006)

Tim Kendall was born in Plymouth in 1970. As well as founding and editing the international poetry magazine, iThumbscrew/i, he has published critical studies of Paul Muldoon and Sylvia Plath. His first book of poetry, iStrange Land/i, was published by Carcanet in 2005. He teaches at the University of Bristol, and lives with his wife and three children in North Wiltshire.

書目資訊