Journal of Tamil Studies, 第 5-6 期International Institute of Tamil Studies, 1974 |
搜尋書籍內容
第 1 到 3 筆結果,共 16 筆
第 14 頁
... practice of modu- lation was in vogue in those times , as is still in vogue with the Western music ; of course the Western type of modulation is different from the shift - model system of the earlier periods ; while changing the key ...
... practice of modu- lation was in vogue in those times , as is still in vogue with the Western music ; of course the Western type of modulation is different from the shift - model system of the earlier periods ; while changing the key ...
第 23 頁
... practice of enharmonic or quarter tone music , whereas the Ayappālai system was concerned only with the dia - tonic scale and the semi - tonal music . In the following lines Ilankō Aṭikal , the author of Cilappatikāram , describes how ...
... practice of enharmonic or quarter tone music , whereas the Ayappālai system was concerned only with the dia - tonic scale and the semi - tonal music . In the following lines Ilankō Aṭikal , the author of Cilappatikāram , describes how ...
第 27 頁
... practice but conti- nued to adhere to the traditions handed down by their masters . Another similarity between earlier Tamil music and North Indian Music was that both allotted different ragas to different times of the day . This practice ...
... practice but conti- nued to adhere to the traditions handed down by their masters . Another similarity between earlier Tamil music and North Indian Music was that both allotted different ragas to different times of the day . This practice ...
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