Journal of Tamil Studies, 第 5-6 期International Institute of Tamil Studies, 1974 |
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第 1 到 3 筆結果,共 47 筆
第 26 頁
... notes add beauty and charm to the melodic structure . In North Indian Music this chromatic practice seems to be plentiful where the notes like Db D , Eb E etc. are used alter- natively in a skilful way avoiding too much of successive ...
... notes add beauty and charm to the melodic structure . In North Indian Music this chromatic practice seems to be plentiful where the notes like Db D , Eb E etc. are used alter- natively in a skilful way avoiding too much of successive ...
第 31 頁
... notes were added , completing the so - called tetrachord , and it was on this pattern of four notes that the Greeks based their theory . As we have seen , the two limiting notes were fixed ones , but what happened between them was ...
... notes were added , completing the so - called tetrachord , and it was on this pattern of four notes that the Greeks based their theory . As we have seen , the two limiting notes were fixed ones , but what happened between them was ...
第 49 頁
notes . They are the dominant iņai the sub - dominant ( kilai ) the minor 3rd and sharpened fourth ( pakai ) and the major 3rd and the leading note Natpu respectively . Again she examines the tuning of fourth and fifth relationship of the ...
notes . They are the dominant iņai the sub - dominant ( kilai ) the minor 3rd and sharpened fourth ( pakai ) and the major 3rd and the leading note Natpu respectively . Again she examines the tuning of fourth and fifth relationship of the ...
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