The Bucknell Review, 第 14-15 卷Bucknell University Press, 1954 |
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第 1 到 3 筆結果,共 28 筆
第 48 頁
... limited experiences . One of the spectacular devices of the absurd stage is its use of language . Ionesco was driven to write The Bald Soprano out of his desire to express the " tragedy of language " -the breakdown . in communication ...
... limited experiences . One of the spectacular devices of the absurd stage is its use of language . Ionesco was driven to write The Bald Soprano out of his desire to express the " tragedy of language " -the breakdown . in communication ...
第 79 頁
... limited to the very small area in which knowledge acquired by experience and investigation exists . Where this area ends , faith , divine revelation , and the realm of non- rationality begin . Where fate is in the laps of the gods , the ...
... limited to the very small area in which knowledge acquired by experience and investigation exists . Where this area ends , faith , divine revelation , and the realm of non- rationality begin . Where fate is in the laps of the gods , the ...
第 110 頁
... limited success of this aid programme goes a realisation that the target was too low ; 2 % rather than 1 % would have been nearer the mark if the poor countries were to have been given a good start along the difficult road into the ...
... limited success of this aid programme goes a realisation that the target was too low ; 2 % rather than 1 % would have been nearer the mark if the poor countries were to have been given a good start along the difficult road into the ...
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action aesthetic appears Bald Soprano become behavior believe Benito Cereno Brown century character Chekhov Churchill comic Court creative critics culture death Democritus destiny divine Dostoyevsky Dostoyevsky's dramatic enchantment epipsyche Epipsychidion essay ethical Etruscan existence experience expression fact Fanny feel fiction final freedom Goethe Gombrich Hadrian Hamlet Hawthorne Hawthorne's hero human humanist humor Ibid idea imagination individual Iris Murdoch James Jane Austen Jonathan Swift language literary literature live man's Mann Mann's Marx Marxism means Melville Melville's metaphor Moby Dick modern Modest Proposal moral nature novel object perhaps philosophical play poem poet poetry political system problem Prometheus Unbound Protagoras psychoanalysis reality religion religious Romantic Rome Russian scene seems sense Shelley Shelley's social socialist society soul Soviet story Swift symbol theory things Thomas Mann tion tradition truth universe values vision words writing York Young Goodman Brown