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admiration appear beautiful become believe called cause character Christian Church Coleridge common connection consequence considered contained continued criticism distinct divine doctrine edition effect English equally existence expression eyes fact faith Father feelings former genius German give given ground hand heart human ideas images imagination instance interest kind knowledge language least less letter light lines literary living look means mere mind moral nature never object observed once opinion original particular pass passage perhaps persons philosophy poem poet poetic poetry possible present principles produced published reader reason received reference religion religious remains remarks respect says Schelling seems sense soul speak spirit style suppose things thought tion true truth understanding volume whole writings written
第197页 - That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn, nor murmur ; other gifts Have followed ; for such loss, I would believe, Abundant recompense.
第151页 - For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan : Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
第372页 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order; judgement ever awake and steady self-possession, with enthusiasm and feeling profound or vehement...
第372页 - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination.
第491页 - The floating clouds their state shall lend To her; for her the willow bend; Nor shall she fail to see Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy.
第497页 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realized, High instincts before which our mortal Nature Did tremble like a guilty thing surprised...
第364页 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
第362页 - DURING the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination.
第362页 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate; or where this process is rendered impossible, yet still at all events it Struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.