Gothic Documents: A Sourcebook, 1700-1820Research Fellow in English Emma Clery, E. J. Clery, Robert Miles Manchester University Press, 2000 - 306页 In the 1790s, while across the Channel a political revolution raged, Britain was struck by a reading revolution, a taste for terror fiction that seemed to know no bounds. Ann Radcliffe and Monk Lewis were only the most celebrated of a host of writers purveying a new brand of Gothic literature. How is it that the age of Enlightenment gave rise to the genre of the literary ghost story? What did the term Gothic mean, when Horace Walpole used it in the subtitle of his experimental novel The Castle of Ontranto? How did a type of writing which broke all the rules of literary composition current at the time, gradually gain critical acceptance? What connections can be made between the aesthetic of terror and the terror of the French Revolution? What happened to Gothic after the decline of its popularity, during a period of political reaction? |
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第240页
... and that the Supreme Being , in giving women beauty in the most
supereminent degree , seemed to command them , by the powerful voice of
Nature , not to cultivate the moral virtues that might chance to excite respect , and
interfere with the ...
... and that the Supreme Being , in giving women beauty in the most
supereminent degree , seemed to command them , by the powerful voice of
Nature , not to cultivate the moral virtues that might chance to excite respect , and
interfere with the ...
第246页
With the superstitious respect for kings , and the spirit of chivalry , which nothing
but an age of extreme barbarism recommended , and which civilization has
banished , you seem to think that every thing great and dignified has left us , '
Never ...
With the superstitious respect for kings , and the spirit of chivalry , which nothing
but an age of extreme barbarism recommended , and which civilization has
banished , you seem to think that every thing great and dignified has left us , '
Never ...
第264页
The conjectures therefore respecting their motives in each particular transaction
must be eternally fallacious . The writer of romance stands in this respect upon
higher ground . He must be permitted , we should naturally suppose , to ...
The conjectures therefore respecting their motives in each particular transaction
must be eternally fallacious . The writer of romance stands in this respect upon
higher ground . He must be permitted , we should naturally suppose , to ...
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目录
the Laws trans 1750 | 61 |
imagination originality terror | 99 |
7c William Duff An Essay on Original Genius 1767 | 124 |
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常见术语和短语
admiration Aeschylus ancient appear attempt Bargrave beautiful become believe body called Castle cause character chivalry circumstances common consider constitution critics dark death effect English fancy fear feelings feudal fiction genius ghost give Gothic hand heart horror human ideas imagination interest Italy kind king laws less Letter light lived London look manners means mind moral nature never night novel object observe opinion original pain passions perhaps persons pleasure poem poet poetry political present principles probable produced reader reason Relation respect romance scene seems sense society sort soul Source species spirit story sublime superstition supposed taste terror thing thou thought tion true truth turn Veal virtue whole writing young