Gothic Documents: A Sourcebook, 1700-1820Research Fellow in English Emma Clery, E. J. Clery, Robert Miles Manchester University Press, 2000 - 306页 In the 1790s, while across the Channel a political revolution raged, Britain was struck by a reading revolution, a taste for terror fiction that seemed to know no bounds. Ann Radcliffe and Monk Lewis were only the most celebrated of a host of writers purveying a new brand of Gothic literature. How is it that the age of Enlightenment gave rise to the genre of the literary ghost story? What did the term Gothic mean, when Horace Walpole used it in the subtitle of his experimental novel The Castle of Ontranto? How did a type of writing which broke all the rules of literary composition current at the time, gradually gain critical acceptance? What connections can be made between the aesthetic of terror and the terror of the French Revolution? What happened to Gothic after the decline of its popularity, during a period of political reaction? |
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第81页
Their passions have nothing to restrain them : their imagination has nothing to
check it . They display themselves to one another without disguise : and converse
and act in the uncovered simplicity of nature . As their feelings are strong , so
their ...
Their passions have nothing to restrain them : their imagination has nothing to
check it . They display themselves to one another without disguise : and converse
and act in the uncovered simplicity of nature . As their feelings are strong , so
their ...
第104页
in a violent emotion , and the imagination being fired by that agitation , and the
brain being deeply penetrated by those impressions , the very objects
themselves are set as it were before us , and consequently we are sensible of the
same ...
in a violent emotion , and the imagination being fired by that agitation , and the
brain being deeply penetrated by those impressions , the very objects
themselves are set as it were before us , and consequently we are sensible of the
same ...
第105页
There is a kind of Writing , wherein the Poet quite loses sight of Nature , and
entertains his Reader ' s Imagination with the Characters and Actions of such
Persons as have many of them no Existence , but what he bestows on them .
Such are ...
There is a kind of Writing , wherein the Poet quite loses sight of Nature , and
entertains his Reader ' s Imagination with the Characters and Actions of such
Persons as have many of them no Existence , but what he bestows on them .
Such are ...
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目录
the Laws trans 1750 | 61 |
imagination originality terror | 99 |
7c William Duff An Essay on Original Genius 1767 | 124 |
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常见术语和短语
admiration Aeschylus ancient appear attempt Bargrave beautiful become believe body called Castle cause character chivalry circumstances common consider constitution critics dark death effect English fancy fear feelings feudal fiction genius ghost give Gothic hand heart horror human ideas imagination interest Italy kind king laws less Letter light lived London look manners means mind moral nature never night novel object observe opinion original pain passions perhaps persons pleasure poem poet poetry political present principles probable produced reader reason Relation respect romance scene seems sense society sort soul Source species spirit story sublime superstition supposed taste terror thing thou thought tion true truth turn Veal virtue whole writing young