Gothic Documents: A Sourcebook, 1700-1820Research Fellow in English Emma Clery, E. J. Clery, Robert Miles Manchester University Press, 2000 - 306页 In the 1790s, while across the Channel a political revolution raged, Britain was struck by a reading revolution, a taste for terror fiction that seemed to know no bounds. Ann Radcliffe and Monk Lewis were only the most celebrated of a host of writers purveying a new brand of Gothic literature. How is it that the age of Enlightenment gave rise to the genre of the literary ghost story? What did the term Gothic mean, when Horace Walpole used it in the subtitle of his experimental novel The Castle of Ontranto? How did a type of writing which broke all the rules of literary composition current at the time, gradually gain critical acceptance? What connections can be made between the aesthetic of terror and the terror of the French Revolution? What happened to Gothic after the decline of its popularity, during a period of political reaction? |
在该图书中搜索
共有 15 个结果,这是第 1-3 个
第101页
... but is always more or less complicated with admiration . For everything that is
terrible is great at least to him to whom it is terrible . It is now our business to
show two things : first , what this enthusiastic terror is ; and secondly , from what
ideas ...
... but is always more or less complicated with admiration . For everything that is
terrible is great at least to him to whom it is terrible . It is now our business to
show two things : first , what this enthusiastic terror is ; and secondly , from what
ideas ...
第102页
And they are principally such ideas that work the effects which he takes notice of
in the beginning of his treatise , viz . , that ravish and transport the reader and
produce a certain admiration mingled with astonishment and surprise . For the ...
And they are principally such ideas that work the effects which he takes notice of
in the beginning of his treatise , viz . , that ravish and transport the reader and
produce a certain admiration mingled with astonishment and surprise . For the ...
第119页
There is a wide difference between admiration and love . The sublime , which is
the cause of the former , always dwells on great objects , and terrible ; the latter
on small ones , and pleasing ; we submit to what we admire , but we love what ...
There is a wide difference between admiration and love . The sublime , which is
the cause of the former , always dwells on great objects , and terrible ; the latter
on small ones , and pleasing ; we submit to what we admire , but we love what ...
大家的评论 - 撰写书评
我们没有找到任何书评。
目录
the Laws trans 1750 | 61 |
imagination originality terror | 99 |
7c William Duff An Essay on Original Genius 1767 | 124 |
版权 | |
其他 10 节未显示
其他版本 - 查看全部
常见术语和短语
admiration Aeschylus ancient appear attempt Bargrave beautiful become believe body called Castle cause character chivalry circumstances common consider constitution critics dark death effect English fancy fear feelings feudal fiction genius ghost give Gothic hand heart horror human ideas imagination interest Italy kind king laws less Letter light lived London look manners means mind moral nature never night novel object observe opinion original pain passions perhaps persons pleasure poem poet poetry political present principles probable produced reader reason Relation respect romance scene seems sense society sort soul Source species spirit story sublime superstition supposed taste terror thing thou thought tion true truth turn Veal virtue whole writing young