Byron: The Making of a MythBodley Head, 1988 - 187 頁 Stephen Coote has written a biography of Lord Byron, focusing on the man behind the myth. Byron was an enigma in his own lifetime. Since his death the public's view of him has swung between admiration and fascinated disapproval - from feted poet to ostracised libertine, from debauched exile to heroic freedom fighter and finally to cult figure. |
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第 1 到 3 筆結果,共 26 筆
第 85 頁
... suggests the romantic scenery of Byron's Germanic period which culminated in " Manfred " . Ah ! then and there was hurrying to and fro , And gathering tears , and tremblings of distress , And cheeks all pale , which but an hour ago ...
... suggests the romantic scenery of Byron's Germanic period which culminated in " Manfred " . Ah ! then and there was hurrying to and fro , And gathering tears , and tremblings of distress , And cheeks all pale , which but an hour ago ...
第 111 頁
... suggests the amoral 18th century Venice of Casanova which Byron recreated in " Beppo " -the first great comic masterpiece of his Italian period . Byron was to suggest the passionate servitude of his numerous. 111 DON JUAN IN ITALY.
... suggests the amoral 18th century Venice of Casanova which Byron recreated in " Beppo " -the first great comic masterpiece of his Italian period . Byron was to suggest the passionate servitude of his numerous. 111 DON JUAN IN ITALY.
第 114 頁
The Making of a Myth Stephen Coote. Byron was to suggest the passionate servitude of his numerous Venetian amours in ... suggests . They entered , and for coffee called , it came , A beverage for Turks and Christians both , Although the ...
The Making of a Myth Stephen Coote. Byron was to suggest the passionate servitude of his numerous Venetian amours in ... suggests . They entered , and for coffee called , it came , A beverage for Turks and Christians both , Although the ...
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already appeared arrived beautiful became become began Byron called canto cause century Childe Harold death deep Don Juan early earth England English Europe expressed eyes face fact fear feelings felt figure force freedom French friends Greece Greek half hand head heart hero Hobhouse hope husband influence interest Italian Italy knew Lady later leave less letters light live London look Lord mind mother move nature never night o'er offered once pain passion perhaps poem poet political radical romantic scene seemed Shelley soon soul spirit suffering suggests tears tell thee things thou thought told took true turned wife wish woman women write written wrote young