Byron: The Making of a MythBodley Head, 1988 - 187 頁 Stephen Coote has written a biography of Lord Byron, focusing on the man behind the myth. Byron was an enigma in his own lifetime. Since his death the public's view of him has swung between admiration and fascinated disapproval - from feted poet to ostracised libertine, from debauched exile to heroic freedom fighter and finally to cult figure. |
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第 1 到 3 筆結果,共 39 筆
第 49 頁
... feelings of my life to feel that I was no longer a boy " The reverse of Byron's exuberance was an intense inwardness and a despair sometimes bordering on panic , which became a constant theme in his work . In the first two cantos of ...
... feelings of my life to feel that I was no longer a boy " The reverse of Byron's exuberance was an intense inwardness and a despair sometimes bordering on panic , which became a constant theme in his work . In the first two cantos of ...
第 80 頁
... feelings in verse . He turned again to the Spenserian stanza . A newly bitter Childe Harold , defiant and sorrowful , began to emerge . He was that archetypal romantic figure , the wronged and suffering genius . As he tells us of his ...
... feelings in verse . He turned again to the Spenserian stanza . A newly bitter Childe Harold , defiant and sorrowful , began to emerge . He was that archetypal romantic figure , the wronged and suffering genius . As he tells us of his ...
第 155 頁
... feelings " . His slight qualification is significant , for Shelley was secretly hoping that the radi- cal journalist Leigh Hunt and his wife might join them from London . However , when Mr and Mrs Hunt , who were living in poverty on ...
... feelings " . His slight qualification is significant , for Shelley was secretly hoping that the radi- cal journalist Leigh Hunt and his wife might join them from London . However , when Mr and Mrs Hunt , who were living in poverty on ...
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already appeared arrived beautiful became become began Byron called canto cause century Childe Harold death deep Don Juan early earth England English Europe expressed eyes face fact fear feelings felt figure force freedom French friends Greece Greek half hand head heart hero Hobhouse hope husband influence interest Italian Italy knew Lady later leave less letters light live London look Lord mind mother move nature never night o'er offered once pain passion perhaps poem poet political radical romantic scene seemed Shelley soon soul spirit suffering suggests tears tell thee things thou thought told took true turned wife wish woman women write written wrote young