Byron: The Making of a MythBodley Head, 1988 - 187 頁 Stephen Coote has written a biography of Lord Byron, focusing on the man behind the myth. Byron was an enigma in his own lifetime. Since his death the public's view of him has swung between admiration and fascinated disapproval - from feted poet to ostracised libertine, from debauched exile to heroic freedom fighter and finally to cult figure. |
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第 1 到 3 筆結果,共 34 筆
第 83 頁
... canto of " Childe Harold " , Carus's lonely , romantic pilgrim searches for his spiritual home across a deserted landscape . THE FIELD OF WATERLOO " I detest the cause and the victors " Byron's meditation on the battle of Waterloo in ...
... canto of " Childe Harold " , Carus's lonely , romantic pilgrim searches for his spiritual home across a deserted landscape . THE FIELD OF WATERLOO " I detest the cause and the victors " Byron's meditation on the battle of Waterloo in ...
第 106 頁
... canto of Childe Harold's Pil- grimage is a meditation on the fall of civilizations and the sufferings of its great men . Byron's own woes merge with these , but he now sees that true artists are finally justified by their immortality ...
... canto of Childe Harold's Pil- grimage is a meditation on the fall of civilizations and the sufferings of its great men . Byron's own woes merge with these , but he now sees that true artists are finally justified by their immortality ...
第 125 頁
... canto ( a long one , of about 180 octaves ) of a poem in the style and manner of Beppo , encouraged by the good success of the same . It is called Don Juan . But I doubt whether it is not . too free for these very modest days . " . He ...
... canto ( a long one , of about 180 octaves ) of a poem in the style and manner of Beppo , encouraged by the good success of the same . It is called Don Juan . But I doubt whether it is not . too free for these very modest days . " . He ...
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常見字詞
already appeared arrived beautiful became become began Byron called canto cause century Childe Harold death deep Don Juan early earth England English Europe expressed eyes face fact fear feelings felt figure force freedom French friends Greece Greek half hand head heart hero Hobhouse hope husband influence interest Italian Italy knew Lady later leave less letters light live London look Lord mind mother move nature never night o'er offered once pain passion perhaps poem poet political radical romantic scene seemed Shelley soon soul spirit suffering suggests tears tell thee things thou thought told took true turned wife wish woman women write written wrote young